Here’s an essay you don’t see every day–a fairly passionate defense of the literary merit of “fanfiction.” For a closer look at how fanfiction will go on to be taught in classrooms, here’s Millions staff writer Elizabeth Minkel with more.
The media world is abuzz about a former Harper’s Bazaar intern suing parent company Hearst for allegedly violating labor laws for not paying her (With reactions ranging from “She’ll never work in this town again.” to “Good for her. It’s about time!”). At least she didn’t get sucked into HuffPo’s aggregation turbine.
Out this week: The City of Mirrors by Justin Cronin; Sweetbitter by Stephanie Danler; The Summer Guest by Alison Anderson; This Too Shall Pass by Milena Busquets; Dear Fang, With Love by Rufi Thorpe; and Smoke by Dan Vyleta. For more on these and other new titles, go read our Great 2016 Book Preview.
Last week I asked “What about J.T. Leroy?” I was wondering when the Leroy hoaxers were going to come forward. Now, one of them has. Warren St. John of the New York Times got Geoffrey Knoop to come clean on the record. Knoop also said that he didn’t think Laura Albert, who wrote the Leroy books, would ever come forward: “‘For her, it’s very personal,’ he said. ‘It’s not a hoax. It’s a part of her.'”Meanwhile, PopMatters put together a special section about Leroy and James Frey. I enjoyed The Rake’s related comments on why Frey can’t hold a candle to Charles Bukowski.I saw Brokeback Mountain a few days ago and thoroughly enjoyed it. In an excerpt from Brokeback Mountain: Story to Screenplay, Annie Proulx describes what it was like seeing her story on the screen: “I felt that, just as the ancient Egyptians had removed a corpse’s brain through the nostril with a slender hook before mummification, the cast and crew of this film, from the director down, had gotten into my mind and pulled out images.” (via Maud)This Boston Globe column articulates quite precisely how I feel about the strife surrounding the cartoons of Mohammed published in a Danish newspaper.
David Orr writes for The New York Times about Christopher Gilbert’s new collection of poems, Turning Into Dwelling, and the importance of innovation in poetry. As he puts it, “One of the hidden strengths of art is that there is always the possibility that what had seemed like a final breath may simply be the long pause before a new inhalation.” Pair with Andrew Kay’s Millions essay on the power of poetry.