Here’s an essay you don’t see every day–a fairly passionate defense of the literary merit of “fanfiction.” For a closer look at how fanfiction will go on to be taught in classrooms, here’s Millions staff writer Elizabeth Minkel with more.
In the current Broadway production of Twelfth Night, Mark Rylance plays Olivia, a role which sees him plaster his face in white makeup and style his hair into a “pouf like a charcoal brioche.” Rylance, the first artistic director of the Globe Theatre in London, projects such a palpable “air of distracted grief” in his performance that “the carapace of theatricality evaporates,” Charles Isherwood writes. The Times theater critic also highlights the work of John Douglas Thompson and Harriet Walter.
Out this week: The Novel: An Alternative History by Steven Moore; Claire of the Sea Light by Edwidge Danticat; F, a new book of poems by Franz Wright; and The Affairs of Others by Amy Grace Loyd, which Katie Rogin reviewed for us last week. For more on these and other interesting titles, go read our Great Second-Half 2013 Book Preview.
"On Thursday, an uncorrected proof of her debut novel, Harry Potter and the Philosopher’s Stone, with the writer’s name was misspelled as “JA Rowling”, became the muddled copy to fetch four figures at auction." The Guardian presents a survey of famous literary typos and malapropisms. See also our own Edan Lepucki's interview with her beloved copyeditor Susan Bradanini Betz.