“I’m the one who gets asked, publicly, how I manage to write and teach and have three kids. Do you get those questions, or do people just assume there is a woman doing all of the homemaking so you can go upstairs and write?” Poets Tracy K. Smith and Gregory Pardlo discuss David Bowie vs. Elton John, the confessional vs. the abstract, and the balance between family and work. Also check out Sophia Nguyen’s Millions review of Smith’s new memoir, Ordinary Light.
Interested in seeing unsettling characters — preferably with moustaches — looking for meaning in wacky postmodernist settings? Well, o ye of of bizarre inclinations, you’re in luck: Thomas Pynchon is rumored to be working with Paul Thomas Anderson. (He’s also coming out with a new book.)
The new media revolution has massacred the book review sections at many national newspapers, but it’s been just as unkind to movie reviewers. At his Salt Lake Tribune blog, Movie Cricket, SLT film critic Sean P. Means keeps a list of all of the movie reviewers who’ve gotten the axe.
Look, it’s hard being the bloodthirsty kingpin of a multinational drug smuggling cartel. Apparently Joaquín “El Chapo” Guzmán has been feeling a bit sorry for himself post-capture, so what did Eduardo Guerrero, head of Mexico’s prison systems, think would cheer him up? He brought him a copy of Don Quixote.
From the Paris Review, a small selection of Victor Hugo‘s four thousand drawings.
“She could be a diva, says this source, ‘but in a way I fucking admire it. The world would be a sorrier place without divas.’” For New York magazine, Boris Kachka on the drama behind Michiko Kakutani‘s departure from The New York Times and what her absence means for the world of books. Consider also: our own Matt Seidel‘s rogue’s gallery of prominent critics.
Recommended Reading: Elisa Gabbert at Guernica on the relationship between ideas and language. “How can the name come after the concept if you need the name to understand the concept? This problem of circularity always made me resistant to the Sapir-Whorf hypothesis in its strong version, which states that our thoughts are bound by the restraints of our language.”