Recommended Reading: this piece from Electric Literature on how 80s television broached topics that we’re still afraid to talk about today. Here’s a bonus piece on reality television, as well.
Leave It To TV
What is a diverse book?
Year in Reading alum Rumaan Alam reflects at The Literary Hub about the labels we ascribe to texts. Pair with his recent interview with Lindsay Hatton.
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The Writing Life Game
How do you become a writer? The Los Angeles Times asked 200 writers participating in their Festival of Books how they got started and created a board game based on their responses. Roll the die to find out if you’ll be a successful writer or not.
Even If You Lose, You Win
The deadline for BOMB‘s poetry contest — judged by Leaving the Atocha Station author Ben Lerner! — is April 16th. The $20 submission fee should be pretty palatable to everyone because it comes with a subscription to the magazine.
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Redesigning Infinite Jest
Next year marks the 20th anniversary of David Foster Wallace‘s Infinite Jest. To celebrate, Little, Brown is holding a cover design contest, with a $1,000 grand prize. Also, you know, the pride of seeing Infinite Jest published in your cover. Whatever, no big deal.
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Mantel’s Bring Up the Bodies Coming in May
Big news for fans of Hilary Mantel and her Booker-winning (and Millions Hall of Famer) Wolf Hall. The U.S. release date for the much anticipated Wolf Hall sequel Bring Up the Bodies has been moved up from the fall to May 22nd to coincide with the U.K. release date.
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Reading from the Man Booker Shortlist
We recently announced the shortlist for the Man Booker Prize. At Granta, you can read an excerpt from Sunjeev Sahota’s The Year of the Runaways, included on the list.
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A Most Terrible State
Yesterday I told you about a ridiculously rare signed copy of T.S. Eliot’s The Waste Land, a poem famously loaded with coldness and sterility and failed human intimacy. Later this month, some new letters will be published that reveal the depth of Eliot’s mental anguish over the breakdown of his first marriage with his wife, Vivien. Eliot has long been accused (maybe fairly) of treating Vivien with intolerable cruelty and attributing to her mental state, and these letters aim to complicate that narrative.