It’s not the first of April and this is not a joke, NBA all-star and future hall of famer Kobe Bryant announced his retirement yesterday–in verse. Oh Kobe, how will we miss thee? Let me count the ways.
“Per one estimate, 96 of the 154 sonnets credited to Shakespeare contain rhymes that have since been lost to linguistic history.” The Atlantic writes on why we should be laughing more when we read Shakespeare. If you’d prefer to revere him, here’s a piece on Shakespeare as God.
Lindsey Drager considers the novella and argues that it is neither a feminine form nor a smaller type of novel. As she puts it, “while other fiction aims outward, the novella curls in, coiling around itself until there’s no distinction between the story’s body and the story’s shell.” Pair with our own Nick Ripatrazone’s essay on the art of the novella.
“This inconvenient working-class revolution we are now witnessing has been accused of stupidity—I cursed it myself the day it happened—but the longer you look at it, you realize that in another sense it has the touch of genius, for it intuited the weaknesses of its enemies and effectively exploited them. The middle-class left so delights in being right! And so much of the disenfranchised working class has chosen to be fragrantly, shamelessly wrong.” Year in Reading alumna Zadie Smith shares her thoughts on Brexit.
In literature and film, there are epic heroes, Campbellian heroes, romantic heroes and tragic heroes. Less well-known is the Byronic hero, whose personality is rakish, extravagant and otherwise similar to Lord Byron. At the Ploughshares blog, a literary blueprint of the archetype. You could also read Jennifer Egan on Byron’s Don Juan.
Literary Hub has an excerpt of an essay by Chris Jackson, Editor in Chief of Random House’s One World imprint on how we can actually achieve diversity in the publishing industry. “What’s the payoff of having a more diverse workforce? Well, there’s obviously the moral case to be made—and that’s a case that I think applies to any industry. But in book publishing, I think we have a special obligation, given our central role in shaping the culture.” And he shares the origin story of how he started to work with Ta-Nehisi Coates.