Recommended Reading: On the subject of dogs in Kafka’s works at Queen Mob’s Teahouse. Our own Matt Seidel rereads The Metamorphosis in different places, letting his setting shape the reading of the text.
“Here is the trouble with looking for ourselves in the writers whose works we admire, at least if we are proposing to be their biographers. For if we are in search of ourselves, or in this case our own troubled teenaged selves roaming New York, then we are apt to downplay those parts of the life that don’t correspond with that need for recognition.” Anne Boyd Rioux writes about biography and the distance, good or bad, between subject and biographer for the Los Angeles Review of Books.
Anthony Domestico interviews C. E. Morgan about her second novel, The Sport of Kings, one of the most anticipated books of 2016. As she puts it, “Every aspect of the novel is–or should be—an arrow pointed towards its ultimate meaning, or a multiplicity of possible meanings.”
Sometimes, a writer needs to live in the setting of his or her fiction, as was the case with William Faulkner, who famously took a train from Hollywood to Mississippi solely to break through his writer’s block. Other times, they need to move away to find the inspiration to write about their home. In The Globe and Mail, Marsha Lederman writes about Emma Hooper, who credits her move to England with helping her write a novel set in her native Saskatchewan.
At this point, we’re all familiar with Cheryl Strayed’s transformative solo hike of the Pacific Crest Trail that she wrote about in Wild. Yet at Condé Nast Traveler, she discusses how a recent family vacation to Laos reawakened her passion for travel. “Here we were on a sacred hill so far off from the place from which we had come, and so abundantly thankful for it. Perhaps the power of that very gratitude is the reason I travel.”