“Will excessive drinking unleash your creative energy? Who can say?” Over at The Toast, intrepid cataloger Ren Arcamone has compiled a list of things you could be doing instead of writing your thesis. Go read it instead of writing your thesis. Continue the stay of essay execution and check out Mallory Ortberg’s hilarious (and helpful) guide to some common signs that you might be dying in a Victorian novel.
Just Lie Down
Charles Yu on Switching Between TV and Novel Writing
Charles Yu discusses the novelistic techniques he employs in his television writing and, conversely, how his TV projects influence his fiction.
●
●
●
Big Sky
I’ve written before about Literary Enemies, a series at the Ploughshares blog in which two writers are shown to have opposing sensibilities. This week, Lily Meyer argues that Flannery O’Connor and Marilynne Robinson are a worthy addition to the series, as the former contracts narrative space and the latter expands it. Sample quote: “It seems to me that Marilynne Robinson’s project, in her books suffused with Protestant belief, has nothing to do with Jesus or with God.”
●
●
Wallace Stevens Week
Wallace Stevens Week(s) begin with a sprint today at Big Other, featuring an interview with poet and critic James Longenbach, an essay on Stevens’ other work, in insurance, and a list of his “most maddening, funny and bizarre” titles.
Men of the Stacks
A group of male librarians is “attempting to overthrow the cliché of the bespectacled, permanently shushing female library worker” with the publication of a Calendar Girls-style calendar, Men of the Stacks.
●
●
Cain’s Campaign Cash
Bloomberg and Talking Points Memo raise questions about Herman Cain’s practice of using campaign funds to buy his own book, This is Herman Cain! My Journey to the White House, from a motivational speaking company that he runs. (via)
●
●
Happy Birthday, W.C.W.
William Carlos Williams‘s birthday was this last week, and Adam Kirsch writes about the poet for New York Review of Books. Though he argues that “today it would be hard to find a reader of poetry who would not acknowledge William Carlos Williams as one of the major American modernists” Kirsch still has to face the question, “why is it, then, that almost fifty years after his death, the reputation of [Williams] still seems to be haunted by a ghost of uncertainty?”
●
●