“So much of recovery is a fight against exceptionalism—that necessary act of saying, What I’ve lived has been lived before, will be lived again, is nothing special but still holds meaning, still holds truth.” Chris Kraus interviews Leslie Jamison about recovery, memoir, and her forthcoming title, The Recovering, for The Paris Review. Pair with: our interview with Jamison.
To celebrate the 400th anniversary of William Shakespeare’s death in 2016, he’s getting a makeover. Jeanette Winterson is writing a cover of The Winter’s Tale, and Anne Tyler will be revamping The Taming of the Shrew for a 21st century audience. While you wait, watch Joss Whedon’s update of Much Ado About Nothing.
Jeff Bezos married a novelist, “expressed a passionate devotion to books”, and may be the one person mild-mannered indie bookshop owners hate more than any other. How’d that happen? After perusing a short history from the New York Review of Books, see for yourself with our vintage news announcements on Amazon’s innovations in pay-per-page pricing, now-old products like the Kindle, and its industry-changing acquisitions of The Washington Post and the English language.
This week in the New Yorker Jane Hu analyzes the “dispassionate first-person narrators” prominent in works by English-speaking Asian authors and questions whether that makes it easier to identify with the narrator. She uses Chemistry by NBA 5 under 35 honoree Weike Wang as an example along with other recent works. “Against this tradition, there is, perhaps, another emerging, of Asian-Anglophone writers who both play with and thus begin to undo these tropes of Asian impersonality. The novels by Ishiguro, Park, Lin, and Wang all feature first-person narrators who keep their distance—actively denying readers direct interior access. This is true, it’s important to note, even when the characters they write are not themselves Asian.”
Among the better Tumblr memes is Read to Me Tuesday, which is exactly what it sounds like: people choose a passage from a book, call in and read the passage over the phone. The resulting posts are compiled under the hashtag #RTMT and often re-blogged by rtmt.tumblr.com. As we see increased interest in social reading experiments like bookglutton.com, RTMT shows how the web might make social connection through reading aloud a possibility for the first time since, well, story time. Plus it’s really, really fun.