This list of the ten best weather events in fiction history includes, among other things, the mud in Charles Dickens’s Bleak House and the fraught weather forecast from Virginia Woolf’s To The Lighthouse. Let’s talk a little bit more about weather with this review from The Millions.
“[YOU can only speak to what you experienced outside several seconds after your coworker entered the building, but several seconds before YOU yourself reached your cubicle. YOU do not know if it is in fact still raining out. YOU say nothing and are forever plagued by the unknowable nature of the immediate present.]” These short existentialist plays starring you and your coworkers are sure to stir up some feelings of gloom, doom, and familiarity.
The Kilroys, a group of leaders in American theater, has put together a list of 46 plays by emerging women playwrights that they think deserve to produced (only 10.5% of Broadway plays are written by women). That list is a brilliant resource to promote diversity in dramatic literature–but now we want to read all the unpublished plays on it.
Who better to review a new sci-fi book than Ursula Le Guin? The Guardian editors couldn’t think of a better candidate either. She reviewed the new story collection Three Moments of an Explosion by the English writer China Miéville. Sample quote: “Pastiche, when present, is so skilful that it can go unnoticed.” You could also read our own Bill Morris on discovering Miéville’s work.
Harper Lee’s estate will no longer allow publication of the mass-market paperback edition of To Kill a Mockingbird, which was popular with schools. Over at The New Republic, Alex Shephard writes that “Without a mass-market option, schools will likely be forced to pay higher prices for bulk orders of the trade paperback edition—and given the perilous state of many school budgets, that could very easily lead to it being assigned in fewer schools.” For more about the author’s legacy, read Robert Rea’s Millions essay on his travels to her home.