“She can write like a man, they said, by which they meant, She can write.” Claire Vaye Watkins writes for Tin House about the problem that has no name. Also check out this Millions piece on sexism in the age of the internet.
“There is also a particularly awkward and dispiriting form of loneliness that settles in the shoulders when faced with a room filled with social media connections, those digital acquaintances who remain strangers in the flesh.” Life amongst the introverts, and other dispatches from AWP 2013.
“In a new biography, The Lady with the Borzoi: Blanche Knopf, Literary Tastemaker Extraordinaire (Farrar, Straus & Giroux), Laura Claridge argues that Blanche Knopf was actually the more important and influential of the two Knopfs. That’s a stretch, but her book is still a long-overdue acknowledgment of the pioneering role Blanche played at a time when women were nearly invisible in the business world.” Find out more about Blanche Knopf at The New Yorker. Edan Lepucki’s 2011-2012 list on why not to self-publish is still relevant.
“Thus it is our [feminists’] historical task … to define what we call oppression in materialist terms, to make it evident that women are a class, which is to say that the category ‘woman’ as well as the category ‘man’ are political and economic categories, not eternal ones.” This essay in remembrance of Alexis Arquette touches on everything from VIP guest lists to feminist theorist Monique Wittig.
On a more optimistic note, New Directions, New York City’s inestimable and long struggling (but “long dazzling!”) publishing house, will be throwing itself a 75th birthday party on Thursday, October 27. (They just redesigned their website and colophon, too.)
Cat’s Cradle‘s Felix Hoenikker would be so proud: Stanford scientists have found a way to make a dense, extraterrestrial ice called Ice VII (via The Rumpus). See also: “2 B R 0 2 B”, a “lost” Vonnegut story that first appeared in the sci-fi journal Worlds of If in January 1962.
“I struggled, quite a bit, writing this review. Reviewing books, while easy in certain ways — you have certain aspects of form to follow, there are certain features of books that cannot go unremarked: one must write about character, about language, about technique — and really a rather simple process (much simpler, it would seem, than writing books), can also be a pain. Especially, frustratingly enough, when the book is really good.” On Lola Lafon’s We Are the Birds of the Coming Storm.