“She can write like a man, they said, by which they meant, She can write.” Claire Vaye Watkins writes for Tin House about the problem that has no name. Also check out this Millions piece on sexism in the age of the internet.
"How is it possible that a smallish army of discerning readers agree that Jim Harrison is one of the few truly great living American writers, yet he has not gotten the wider audience—or the widespread praise—he so plainly deserves?" Our own Bill Morris has some theories.
Penelope Fitzgerald has been getting a lot of attention lately, largely due to Hermione Lee's newest biography. In an article for the Paris Review, Bridget Read considers the impact a better understanding of Fitzgerald's life could have on her modern reputation, and argues that "it is not extraordinary that she became a prize-winning novelist, though you may have heard otherwise. ... It is vital to emphasize that Fitzgerald’s novels were not achieved in spite of her domestic life; they were borne directly out of it. Her work is radical in that it suggests that, in fact, a feminine experience, a liminal experience, might be better equipped than a male one to address the contradictions of human existence taken up by the greatest literature."
"When author Kamila Shamsie challenged the book industry to publish only women in 2018 to help address a gender imbalance in literature, just one publisher took up the challenge." And Other Stories, an English publisher who publish translations and English language books, has decided to only publish women writers in 2018, according to the BBC. Pair with: an essay by our own Marie Myung-Ok Lee about the visibility and privacy of women writers.