“On the other hand, I do spend endless hours mulling over the mystery of what others like. Again and again the question arises: How can they?” Tim Parks asks us why we enjoy reading what we read at The New York Review of Books. For Millions readers’ favorites, check out October’s Top 10.
How Could You Like That Book?
What the Bestseller List Says about 2017
Slate books and culture columnist Laura Miller looks at what this year’s bestseller list tells us about 2017. One of her conclusions, “2017 was the year that the very concept of a best-seller became even more dubious.” After reading her analysis, check out our Year in Reading lists, whose authors found joy in reading and viewed it as one of the few good things of this year, even if the bestsellers of the year didn’t reflect those feelings.
A Campus Novel Classic
University Of Chicago Press has come out with a new edition of a somewhat forgotten classic in the campus novel genre. Randall Jarrell was a National Book Award-winning poet who wrote only one novel, Pictures from an Institution, about the fictional Benton College. The Kenyon Review published the opening of the novel in its Winter 1953 issue. It begins: “Half the campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and spoken for the other.”
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Where Does He Get Those Wonderful Toys?
The Original of Laura offers a glimpse under the hood of the chromed and gleaming Nabokov machine, writes Sam Anderson of New York Magazine.
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Declan Meade and Ireland’s Stinging Fly
Eileen Battersby profiled Declan Meade, the publisher, editor, and co-founder of Ireland’s Stinging Fly literary journal. The magazine, which just published its 43rd issue, has been credited with popularizing some of Ireland’s most significant contemporary writers.
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Tim Parks (“How Could You Like That Book?” NYR Daily, Nov 10, 2015) writes:
“Could this be the function, then, or at least one important function of fiction: to make us aware of our differences? To have our contrasting positions emerge in response to these highly complex cultural artifacts? […]
If this is the case, then, the important thing would be, first, really to understand one’s own reaction, to observe it with great care; and, second, to articulate it honestly, without any fudging for fear that others might disagree.”
It makes me want to throw bags of cash at him.