“On the other hand, I do spend endless hours mulling over the mystery of what others like. Again and again the question arises: How can they?” Tim Parks asks us why we enjoy reading what we read at The New York Review of Books. For Millions readers’ favorites, check out October’s Top 10.
How Could You Like That Book?
A DeLillo Retrospective
In its recently released third issue, The Point – a terrific Chicago-based journal of ideas – takes up the vexed question of Don DeLillo‘s literary significance.
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Jill Abramson on Rejection and Resilience
Jill Abramson, fired last week from her post as New York Times executive editor, broke her silence today with her commencement address at Wake Forest. “I’m talking to anyone who has been dumped,” she said. “Not gotten the job you really wanted or received those horrible rejection letters from grad school. You know, the sting of losing, or not getting something you badly want. When that happens, show what you are made of.” Video here.
Ask Us Anything: Swarm & Spark
Swarm and Spark, a new column at The Millions, invites you to write with your questions about publishing, the literary life, or writing. The column is written by two anonymous figures: a NYC editor with years in the industry and an MFA professor at a long-established program. Ask anything that has plagued, confounded, pleased or troubled you about your life in and around literature and you may be answered, always with respect: your question will be treated as anonymous as well. Send your true confessions, complaints and queries to [email protected].
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“Tough, Funny, and Sophisticated”
Sam Sacks of Open Letters Monthly offers an encomium to Pauline Kael, “one of the best movie critics – or critics of any kind – of the past century.”
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Titling Publishers
How did Random House get its name? A joke. Book Riot gives the stories behind eleven publishers’ names. You could also read a piece on how writers title their novels.
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On Colors and the Mind
Here’s a fascinating article by Aatish Bhatia about “how we gave colors names, and it messed with our brains.” Grab a seat; this is a good one.
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Tim Parks (“How Could You Like That Book?” NYR Daily, Nov 10, 2015) writes:
“Could this be the function, then, or at least one important function of fiction: to make us aware of our differences? To have our contrasting positions emerge in response to these highly complex cultural artifacts? […]
If this is the case, then, the important thing would be, first, really to understand one’s own reaction, to observe it with great care; and, second, to articulate it honestly, without any fudging for fear that others might disagree.”
It makes me want to throw bags of cash at him.