“On the other hand, I do spend endless hours mulling over the mystery of what others like. Again and again the question arises: How can they?” Tim Parks asks us why we enjoy reading what we read at The New York Review of Books. For Millions readers’ favorites, check out October’s Top 10.
How Could You Like That Book?
Aura Estrada Short Story Contest
Boston Review’s Aura Estrada Short Story Contest is underway. This year’s submissions will be judged by What We Talk About When We Talk About Anne Frank author (as well as Year in Reading contributor) Nathan Englander, and the victor will earn a $1,500 prize as well as publication.
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Go to Sleep
If you’re the kind of person who might fall asleep while reading a page-turner, you’re not alone. For Read It Forward, Jonathan Russell Clark writes about the challenge of literary sleepiness. For more of his writing, check out his essay on the art of the final sentence for The Millions.
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Recommended Reading: Jesmyn Ward
Recommended Reading: An excerpt from Jesmyn Ward's new memoir, Men We Reaped. "This is the summer of the year 2000. This is the last summer that I will spend with my brother. This is the heart. This is. Every day, this is." Pair with: The New York Times profile of Ward.
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Snap Shot
As Alden Jones puts it, a “sex-death-art trifecta” is the core of The Small Backs of Children, the new book by Lidia Yuknavitch. At The Rumpus, he talks with the author about the novel, which centers on a war photographer who takes an iconic photo in Eastern Europe. You could also read the author’s Millions essay from last week.
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Tuesday New Release Day: Moore; Li; Wilson; Stace; Harbach
Lorrie Moore, who we profiled yesterday, has a new story collection on shelves this week. Also out: Kinder Than Solitude by Yiyun Li; What’s Important is Feeling by Adam Wilson; Wonderkid by Wesley Stace; and MFA vs. NYC, a new essay collection (spun off from an n+1 piece) edited by Chad Harbach.
Best Music of the Decade
Pitchfork names the top albums of the 2000s.
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Tim Parks (“How Could You Like That Book?” NYR Daily, Nov 10, 2015) writes:
“Could this be the function, then, or at least one important function of fiction: to make us aware of our differences? To have our contrasting positions emerge in response to these highly complex cultural artifacts? […]
If this is the case, then, the important thing would be, first, really to understand one’s own reaction, to observe it with great care; and, second, to articulate it honestly, without any fudging for fear that others might disagree.”
It makes me want to throw bags of cash at him.