Thanks to recent advancements in digital scanning technology, it looks like the Herculaneum scrolls will be made legible after some two thousand years. The new technique allows for close study of the scrolls without causing irreparable damage to the papyrus via exposure to the moisture in the air, an issue which had dogged scholars for centuries. If the impermanence and tenuousness of writing is more your speed, here’s a bit on Twitter, instead.
Hidden Libraries
Football Book Club: ‘Milk and Filth’
This week the Band of Merry Men/Women that is of Football Book Club is reading Carmen Giménez Smith’s poetry collection Milk and Filth — and posting about Elizabeth Kolbert’s The Sixth Extinction. Also: Check in later this week for possible guest posts by Ben Carson and Donald Trump. Also: There will be no guest posts by Ben Carson and Donald Trump.
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The Bookless Library
Administrators at Cushing Academy in Massachusetts “have decided to discard all their books and have given away half of what stocked their sprawling stacks – the classics, novels, poetry, biographies, tomes on every subject from the humanities to the sciences. The future, they believe, is digital.” (Thanks to Millions reader Laurie who asks, “So what happens when the power goes out?”)
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Tuesday Means New Releases
Sometime Millions contributor Elif Batuman sees her debut effort The Possessed: Adventures with Russian Books and the People Who Read Them hit shelves today. Also new today is Not Art by Peter Esterhazy who wowed Garth at PEN/World Voices in 2008.
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The Oddity
You may have heard that the pioneering jazz musician Ornette Coleman died last week at the age of eighty-five. As a composer, he was known for his odd melodies, which reliably tested the boundaries of what jazz could accomplish. At The Paris Review Daily, two musicians and writers look back on his legacy.
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The PhD Pyramid Scheme
The Economist has a pretty damning look at the global state of academia, particularly as it pertains to the enormous numbers of PhDs being churned out, the cheap labor they represent, and the comparatively few full professorship gigs available to them.
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“How like a prison is my cubicle…”
In May, poet David Lehman wrote the first line of a sonnet about cubicle anomie and began crowdsourcing the rest. The completed 12-week project at The American Scholar is not merely a pretty great piece on its own, but a lesson in how to write one, line by line: 2, 3, 4, 5, 6, 7, 8/9, 10, 11, 12, 13, 14. You can submit your title suggestion as late as midnight on Sunday, but we suggest getting a start on it now, while the prison of work is still fresh in mind. (h/t The New York Times)
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