The Guardian published a couple of fun pieces earlier this week. The first is a hilarious excerpt from Mallory Ortberg’s Texts from Jane Eyre: And Other Conversations with Your Favorite Literary Characters. The second is a collection of the top ten most memorable meals in all of literature.
Like a time machine to the first Bush Administration, the complete archives of the late, lamented, and hugely influential Spy Magazine are now apparently available through Google Books (via). We’d offer a few keywords to get you started, but the riches are too many. Okay, fine. You twisted our collective arm. Ivana Trump. Henry Kissinger. O.J. Celebrity Pro-Am Ironman Nightlife Decathalon. Go nuts.
“Vivian Lee is the kind of editor you want on your team: a writer at heart who understands the sometimes painful creative process, a fierce advocate when it comes to supporting her authors, and always at the ready with a hilarious tweet up her sleeve.” Check out an interview with Lee at The Rumpus. You could also read a piece in which a few editors share their experiences with their first acquisitions.
“Why should Serena not respond to racism? In whose world should it be answered with good manners? The notable difference between black excellence and white excellence is white excellence is achieved without having to battle racism. Imagine.” Claudia Rankine writes for The New York Times Magazine about tennis player Serena Williams, racism in sports, and white privilege. Pair with our own Michael Bourne’s list of books that “shed light on the history and evolution of racism in America.”
“How is it possible that a smallish army of discerning readers agree that Jim Harrison is one of the few truly great living American writers, yet he has not gotten the wider audience—or the widespread praise—he so plainly deserves?” Our own Bill Morris has some theories.
Loudpoet has an interview with former Soft Skull Press publisher Richard Nash about his new social publishing venture Cursor. ““Social” is taking the book and making it much easier to have a conversation with the book and its writer, and have conversations around the book and its writer.” Is this a way forward for beleaguered publishers? (via The Lone Gunman)