Over at Public Books, Jared Gardner explores the theme of pain and illness at the heart of many graphic narratives. As he explains it, “Illness, mental and physical, is arguably comics’ invisible master theme, deeply woven into their genome and shaping the stories they tell, from the earliest newspaper strips (chronic allergies in Winsor McCay’s Little Sammy Sneeze) through the rise of superhero comics (from Batman’s PTSD in 1939 through the Fantastic Four’s radiation poisoning in 1961).” Pair with Paul Morton’s Millions piece on the history of Marvel Comics.
The recent opening of the Jeff Koons retrospective at the Whitney Museum of American Art has occasioned a number of rave reviews. They’re so good, in fact, that they’ve inspired Los Angeles Times writer Carolina A. Miranda to comb the write-ups for “evocative turn[s] of phrase, political metaphor[s], and references to lady parts” in order to assemble a standalone poem. Or, rather, it was standalone until artist William Powhida made a drawing out of it. (Full size drawing here.)
Benjamin Anastas has bid goodbye to the Twitter Village, and he thinks more writers should do the same. “There is a longing built into our online lives that can lead us to healthy attachments with multiple partners, a kind of polyamory of the mind, but it can also encourage the furtive transmission of waxed-chest photos and cock-shots,” he writes. “These are extreme examples of the kind of lonely misfires that Twitter allows, but I felt the temptation to seek comfort from my Twitter feed often enough to realize that it was only a matter of time before I did something embarrassing.”
“In re-organizing the priorities of book publishing—by inventing new models rather than trying to repeat past success, by valuing ingenuity over magnitude, by thinking of sales as a way to make great books possible rather than the point—indie presses aren’t just becoming the places where the best books are published; they’re already there.” Over at The Atlantic, Nathan Scott McNamara writes on why American publishing needs indie presses. For more of his writing, check out his essay on Denis Johnson for The Millions.