Short stories will now be available in vending machines — i.e., the future of literature.
Express Reading
I Doubt The Authors Would’ve Been Thrilled With This
Deep South Magazine‘s Hunter Murphy compiled a list of “The Greatest Bromances in Southern Literature.”
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Iran Boycotts Rushdie… Again
Ayatollah Khomeini’s fatwa has come back to haunt Salman Rushdie once again. Iran is threatening to boycott the Frankfurt Book Fair because Rushdie was invited to give the keynote speech. You could also read our essay on how Rushdie passed the time while in hiding.
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What Is an Emotion?
“We might then see the bear, and judge it best to run, receive the insult and deem it right to strike, but we could not actually feel afraid or angry.” Let’s hope you never get approached by a bear while hiking in the woods with trailblazing psychologist William James, who had some complicated ideas about feelings.
Kartika Review
M. Evelina Galang, author of Her Wild American Self and current director of the University of Miami’s MFA Creative Writing Program, is featured in the latest issue of Kartika Review, “a national Asian/Pacific Islander American literary arts journal.” You can read the entire Fall 2011 issue for free.
“It is difficult to make a living”
“There is a possibility of your having a decent attitude toward people and work. That alone may make a man of you.” Wise words from Sherwood Anderson.
Rethinking Motherhood
This motherhood book list ranges from Adrienne Rich's Of Woman Born to Ada Limón's The Carrying.
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Tuesday New Release Day: Cantor; Wilson; Spivack; Chirbes; Sparks; Williams
Out this week: Good on Paper by Rachel Cantor; Girl Through Glass by Sari Wilson; Unspeakable Things by Kathleen Spivack; On the Edge by Rafael Chirbes; The Unfinished World by Amber Sparks; and Fine, Fine, Fine, Fine, Fine by Diane Williams. For more on these and other new titles, go read our Great 2016 Book Preview.
An American Point of View
The international popularity and utility of English doesn’t show any signs of slowing, but what will the language look like after a few generations of increasing usage? The Economist gives a brief answer, but it doesn’t address the ways English is or will be used by different people to tell their stories. Damian Fowler addresses this when he asks, “[W]hat does it mean to have an American point of view,” or to call a book American in tone, as opposed to British or just English-language? In a blog post for The Paris Review, Fowler offers an answer: American novels are characterized by “a spare, sure sense of narrative, reflected in a colloquial voice, free of affectation.”
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