“My daughter spent some of this summer performing a dance, which she learned at summer camp, to a certain song by Shakira, called “Waka Waka.” It was earnest, funny, beautiful dance; however, I am, it seems, unable to watch my daughter perform her Shakira dance, to a song I don’t very much care for, without sobbing. There is no explanation for this excessive reaction—the dance is homely and human and not at all out of this world—but that the reaction is about beauty, and joy, and potential, and not sorrow. And this, it seems, is one aspect of what crying celebrates: the sublime.” Here is Rick Moody, life coach, from The Literary Hub. Here’s a recent Millions interview with Moody.
“It is not normal for the President of the United States to refuse to offer even passing respect to the idea that telling the truth matters. It is not normal for the President to pretend that any news coverage he dislikes is ‘fake news’ that has been fabricated by the reporters who made up the story as well as their sources.”Because this is where we are, PEN America has issued Trump the Truth, a report on free expression during the President’s first 100 days. And in case you missed it, you must read our own Adam Boretz‘s review of Mark Lamont Hill‘s Nobody.
Millions staffer Mark O’Connell recently took a look at Édouard Levé’s Works. “For the most part, it’s a catalogue of unrealized creativity,” he writes. “Which in the very extensiveness of its cataloging becomes a monstrous paradox of realized creativity.” (Related: O’Connell previously reviewed Levé’s Suicide and Autoportrait for our site.)
Apropos of our popular “Open Letter to Kanye West,” may we recommend the “Shouts & Murmurs in this week’s New Yorker? “I have more than a million [Facebook] fans,” writes a certain unnamed narrator. “Do you know how many fans Books have? Twenty-five thousand seven hundred and sixty-four.”
Chances are you’ve heard that the most important thing a writer needs to make it in the modern lit world is luck. Undoubtedly, there’s a lot of truth to that, but what if there’s another factor that has a bigger impact on a writer’s success? Sean McElwee argues for the importance of something more prosaic.