Year in Reading alumnus Thomas Mallon’s foreword to the new edition of John O’Hara’s 1940 novel Pal Joey is available in The Paris Review Daily. Mallon predicts that “ O’Hara’s moment for a really breakout revival—outdated enough to be exotic—may at last be upon us.”
Cheap Night Club, South Side of Chicago
Always Changing
Recommended Reading: The always hilarious (and very Southern) David Sedaris on shopping in Tokyo and “the perfect fit.”
What Should Be ‘Forbid’
“On closer inspection, however, the book comes off as something more complicated than a flowering of one eccentric and filthy man’s erotic imagination. Its elaborate descriptions of pleasure given and taken start to seem like scrims for a moral argument about what sorts of sexual behaviors should be ‘forbid’ and which should be encouraged—an argument refined in prison by an author deeply occupied with thoughts of punishment, dissipation, and sin.” On John Cleland’s (very erotic) novel Fanny Hill and the importance of its having been written in prison.
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Literature Isn’t Publishing
“In re-organizing the priorities of book publishing—by inventing new models rather than trying to repeat past success, by valuing ingenuity over magnitude, by thinking of sales as a way to make great books possible rather than the point—indie presses aren’t just becoming the places where the best books are published; they’re already there.” Over at The Atlantic, Nathan Scott McNamara writes on why American publishing needs indie presses. For more of his writing, check out his essay on Denis Johnson for The Millions.
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Catton Craze
Eleanor Catton just became the youngest person ever to win a Man Booker, but we were fans of her long before. Our own Emily St. John Mandel included Catton’s debut novel The Rehearsal on her list of disorienting reads. Paul Murray also recommended the book on his 2012 Year in Reading.
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Mislabeled
Can writers transcend race? LaTanya McQueen argues that labeling fiction as minority gets in the way of the story at The Missouri Review blog. Also, see our essay on the racial and gender barriers in the publishing industry.