“As with the Byromania, the Byrophobia was the result of the sheer gravitational weight of a fame that had the power to distort everything around it.” Andrew McConnell Stott writes about Lord Byron’s celebrity in Lapham’s Quarterly.
Jonah Lehrer may not have exactly “self-plagiarized” his own work, but he certainly did recycle a good amount of his writing in a misleading way. And while many have criticized this kind of lazy writing, it’s worth revisiting Tim Requarth and Meehan Crist’s critical review of Lehrer’s book, Imagine, which plays a central role in this entire scandal.
“They would have closed, if the community hadn’t stepped forward.” The Guardian reports on the rapidly growing number of British libraries being run by volunteers, a trend driven by austerity cuts (which Corinne Purtill wrote about in these very pages just a few weeks ago).
For everyone who harbors a deep and mildly-embarrassed love for GIFs in the significant, non-linguistic part of their brains that finds repeated facial expressions far more memorable than words: Ploughshares’ series on classic novels (1984, The Catcher in the Rye, The Scarlet Letter, The Hobbit) will have you laughing and building your cocktail-party knowledge all at once.
“When someone asks me how I know someone and I say ‘the Internet,’ there is often a subtle pause, as if I had revealed we’d met through a benign but vaguely kinky hobby, like glassblowing class, maybe. The first generation of digital natives are coming of age, but two strangers meeting online is still suspicious…” Ah, the halcyon days of 2004 and internet anonymity.
Coverage of The Late American Novel: Writers on the Future of Books (do you have your copy yet?) has been coming in at a steady clip: NYC publication CityArts takes a look; yours truly interviewed on The Marketplace of Ideas; Edward Champion offers a hasty response; the my co-editor sits down with his hometown paper.
“I war-gamed out everything. My biggest fear was that somebody tries to play out my book and finds out it won’t work.” At The New York Times, Alexandra Alter writes about the new Minecraft novel by Max Brooks, author of World War Z: “In the process, he may have also created a strange new entertainment category, one that hovers somewhere between fan fiction, role-playing games and literature — a novel set in a game, that can itself be played within the game.” And while we’re on the topic of games, let’s also talk about geekdom and race.