Who’s ready for a trip to Tokyo? Sadie Stein at The Paris Review breaks the lid on a veritable Shangri-La for book lovers, a quasi-bunkhouse known as Book and Bed. Book and Bed is a bunkhouse-slash-bookstore that doesn’t actually sell books. Instead, they have a number of rather spartan beds built inside row after row of bookshelves. Their noble goal is also a simple one; to offer “an experience shared by everyone at least once: the blissful instant of falling asleep while reading.”
With the help of Johnny Depp, author Douglas Brinkley plans to release Woody Guthrie’s unpublished novel House of Earth next year. Guthrie finished the manuscript—which should yield a finished book about 250-pages long—in 1947, and it concerns a couple from West Texas who fight against banks and lumber companies.
Out this week: Nutshell by Ian McEwan; Jerusalem by Alan Moore; Commonwealth by Ann Patchett; Black Wave by Michelle Tea; Umami by Laia Jufresa; Loner by Teddy Wayne; Little Nothing by Marisa Silver; Every Kind of Wanting by Gina Frangello; Avid Reader: A Life by Robert Gottlieb; This Vast Southern Empire by Matthew Karp; When in French by Lauren Collins; and Intimations by Alexandra Kleeman. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
“In noir, the problem is not an individual: the problem is the world.” Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here’s a piece from The Millions’s Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
Newly minted Paris Review editor (and polymorphous enthusiast) Lorin Stein runs down some recent pleasures for More Intelligent Life. To wit: Lipsyte, Dickens, Du Maurier, Nádas, Merle Haggard, newcomer April Ayers Lawson, the Lydia Davis Proust, outer-borough maniacs, and “proletarian erotica”…not necessarily in that order.
On this day 124 years ago Raymond Chandler, hardest of the hard-boiled, was born. To celebrate the father of Philip Marlowe see these letters Chandler wrote to some of his contemporaries, listen to Chandler’s interview with Ian Fleming, and enjoy a couple classic Chandlerisms. Most importantly, read “The Simple Art of Murder,” the greatest essay about the mystery novel ever written.