“Can art, so often used by developers to mask the violence of displacement, instead be used to resist gentrification?” The New Inquiry reviews Streetopia, a collection of essays edited by Eric Lyle. Pair with our own Michael Bourne’s essay on gentrification in New York City.
Art and Gentrification
Gatsby As He Was; Gatsby As He Will Be
The hype keeps building for Baz Luhrmann’s oft-delayed Great Gatsby adaptation. The first trailer had the whole internet up in a tizzy, and now the latest teaser from Beyoncé and Andre 3000’s “Back to Black” cover has even more people interested. Perhaps, in order to wind down, we should all check out the first cinematic reworking of Fitzgerald’s classic. Over at Open Culture, fans can get a look at The Only Known Footage of the 1926 Film Adaptation of The Great Gatsby (Which F. Scott Fitzgerald Hated).
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To Grit or Not To Grit?
Recommended Reading: On whether or not “grit” is the true key to workplace (and lifetime) success. Angela Duckworth, author of Grit: The Power of Passion and Perseverance, says yes.
A Writer’s Job
Recommended Reading: Zoë Heller and Francine Prose discuss a writer’s moral obligation and responsibility to art.
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How Animals Think
Recommended reading: “Can Fiction Show Us How Animals Think?” Or is the realist novel the wrong form for exploring “the profoundly foreign interior lives of animals?”
This Post Reads Like Mad Libs.
Roz Chast, whose cartoons have been mainstays in the New Yorker for quite some time, has teamed up with Stephin Merritt of The Magnetic Fields to write a book about the 101 two-letter words allowed in Scrabble.
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Update on Timbuktu’s West African Relics
Many feared the permanent loss of thousands of precious manuscripts and relics after insurgents razed Timbuktu’s Ahmed Baba Institute of Higher Learning and Islamic Research. The Institute was home to over 30,000 manuscripts dating back to the 13th century. Or was it? In a fascinating report, Rukmini Callimachi details the extraordinary efforts of the some passionate locals that wound up saving much of the collection.
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Moving Beyond Mary Shelley
Rachel Feder considers why Mary Shelley is often credited as the "ingénue inventor of speculative fiction," while Margaret Cavendish remain relatively unknown.
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