Who’s the Jimi Hendrix of Wordstock? Though it is unlikely to become a lasting cultural landmark the caliber of Woodstock, the recent Wordstock festival in Portland was nonetheless a runaway success for its 6,000 attendees. This piece on the London Book Fair has a decidedly different tone.
Are You Experienced?
Bellow’s Heir
As Nick Richardson notes for the London Review of Books, Saul Bellow’s son, Adam, has his hands full these days. When he’s not maintaining a site devoted to conservative “literature,” he’s extolling the virtues of conservative fiction writers you “probably have never heard of — and won’t, if the powers that rule the lit-crit, fanfic, and commercial publishing worlds have anything to say about it.”
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What is a diverse book?
Year in Reading alum Rumaan Alam reflects at The Literary Hub about the labels we ascribe to texts. Pair with his recent interview with Lindsay Hatton.
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Well-informed ghosts
Kurt Anderson on the difference between writing a novel in first and third person voice: “Most third-person narrators are less like omniscient gods than exceedingly snoopy, well-informed ghosts. “
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The Gallery of Lost Art
The Gallery of Lost Art is “an online exhibition that tells the stories of artworks that have disappeared,” and my-oh-my is it a doozy of an internet diversion.
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