Recommended Reading: Almost a century ago, two students at Oxford wrote back to Ophelia: “Ophelia racked with phantasy, / And Sigismunda, sick with rue — / Ladies, why did ye choose to die / When all the world was made for you?” Find out more about the poets Doreen Wallace and Eleanore Geach at The Toast. We recently wrote about why authors continually turn to Shakespeare.
Answering Ophelia
Kanye & The Frankfurt School
Alex Ross writes for The New Yorker about Walter Benjamin, Theodor Adorno, and modern pop culture. Jay-Z and Kanye come up, as does Jonathan Franzen's The Corrections (which we've written about here and here) and Virginia Woolf's The Waves.
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The Man Who Clothed the World
"No one took this further, with more imagination and daring...At a time when American groups would often dress down—affluent suburban kids disguised as Appalachian farmers or Canadian lumberjacks - Bowie quite deliberately dressed up." David Bowie's sartorial legacy.
Elena Ferrante’s Writing Process, Translated
"Patriarchal domination, even — despite appearances — in the West, is still very entrenched, and each of us, in the most diverse places, in the most varied forms, suffers the humiliation of being a silent victim or a fearful accomplice or a reluctant rebel or even a diligent accuser of victims rather than of the rapists. Paradoxically, I don’t feel that there are great differences between the women of the Neapolitan neighborhood whose story I told and Hollywood actresses or the educated, refined women who work at the highest levels of our socioeconomic system. " In a rare interview, Elena Ferrante discuses the #meToo movement, Naples and her writing process for the Neapolitan novels in a rare interview translated from the original French.
Books Have Ruined Our Lives, Now We Want to Ruin Yours
Our intrepid AWP #LitBeat correspondent attended an offsite event called "Books Have Ruined Our Lives, Now We Want to Ruin Yours"
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A person should not be a dud avacado?
At the helm of The Paris Review's advice column this week, Sasha Frere-Jones describes Sheila Heti's How Should a Person Be ? as the inverse of Elaine Dundy's The Dud Avacado.
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Great, No, Greatest
"Art isn’t a footrace. No one comes in first place. Greatness is not a universally agreed-upon value. ... America isn’t one story. It’s a layered and diverse array of identities, individual and collective, forged on contradictory realities that are imbued with and denied privilege and power. Our obsession with the Great American Novel is perhaps evidence of the even greater truth that it’s impossible for one to exist. As Americans, we keep looking anyway." Cheryl Strayed and Adam Kirsch discuss the Great American Novel in this week's New York Times Bookends. For a slightly different take, consider the 9 novels our experts chose as the Greatest American novels, from Moby-Dick to The Godfather.
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