In an interesting turn of events, Amazon has opened its first brick-and-mortar store in Seattle: Amazon Books. Marketing information from the company’s website will help decide how to stock its shelves. Our own Michael Bourne announces that Amazon has purchased the English language.
Now that they’ve announced the impending publication of The Best American Infographics, it might be prudent to revisit Reif Larsen’s classic Millions article, “This Chart Is a Lonely Hunter: The Narrative Eros of the Infographic.”
Conversational Reading covers “Four Greek Writers That You Should (and Can) Read.”Wells Tower interviewed on The Dinner Party Download.Anne Trubek at Good Magazine recommends our site to “Post-Collegiate Literary Types”The Elegant Variation gets a new reader. Congratulations, Mark!Make of this what you will: “Popular Japanese horror writer Koji Suzuki will publish a short novel called Drop on rolls of toilet paper.”Wikipedia Find of the Week I: Criticism of Wikipedia (so meta)Wikipedia Find of the Week II: No one cares about your garage band (so snarky)”Updike’s Sunset:” Kakutani takes on two newly published Updike collections, My Father’s Tears and Other Stories and Endpoint and Other Poems.Further Reading: Consider revisiting our guest post from last week, Finding Indie Opportunity on The Kindle, where a very interesting discussion developed in the comments.
In the Times, Dwight Garner reviews the new edition of Bartlett’s Familiar Black Quotations, a compendium of quotes from notable black writers dating from ancient times to the present. Among other figures, Thurgood Marshall, Ralph Ellison, Zora Neale Hurston and Cory Booker all have quotes in the book.
“‘What I want,’ a young Luis Buñuel announced to the audience at an early screening of his first film, Un Chien Andalou (1929), ‘is for you not to like the film … I’d be sorry if it pleased you.’ The film’s opening scene, which culminates in a close-up of a straight-edge razor being drawn through a woman’s eyeball, is often taken as the epitome of cinema’s potential to do violence to its audience…Horror movies frighten us; violent thrillers agitate us; sentimental stories make us cry. Suffering is often part of our enjoyment. Within limits, however: we are not to be so displeased that we are not pleased. Buñuel deliberately went beyond the limits of permissible displeasure. And so, in his own way, does the Austrian filmmaker Michael Haneke.”