In an interesting turn of events, Amazon has opened its first brick-and-mortar store in Seattle: Amazon Books. Marketing information from the company’s website will help decide how to stock its shelves. Our own Michael Bourne announces that Amazon has purchased the English language.
“Much of the time, though, readers will be thinking that the ‘literary correspondence’ is something we’re well shot of – a postwar embarrassment, like child labour, meat rationing and outdoor toilets.” Martin Amis reviews the recent collection of Philip Larkin’s love letters, Letters to Monica, at Guardian.
“Two writers guard an archive. One writes Fiction; the other writes Fact. To get past them, you have to figure out which is which.” Recommended reading: The New Yoker‘s Jill Lepore attempts to trace the “long-lost story of the longest book ever written,” Joe Gould‘s The Oral History of Our Time.
“Updike stopped cartooning while he was an undergraduate at Harvard. This is a factually true statement, but it ignores a larger reality. While Updike might have ceased cartooning, the visual language of comics was never far from his mind. Cartooning was an inextricable strand in his creative DNA.” Jeet Heer writes about John Updike, cartooning, fandom and “bedesque” prose for The Paris Review. Pair with James Santel‘s Millions essay on “The Curious Paradox of John Updike.”
Out this week: Andrew’s Brain by E.L. Doctorow; Perfect by Rachel Joyce; A Highly Unlikely Scenario by Rachel Cantor; Selected Letters of Robert Creeley; The Visionist by Rachel Urquhart; and new paperback editions of Karen Russell’s Vampires in the Lemon Grove, Kurt Vonnegut’s Letters and Year in Reading favorite Rachel Kushner’s The Flamethrowers.