“What stereotypes will they critique, destroy, or create? What, in other words, will the post-earthquake novel reveal about Haiti’s most recent losses, obstacles, and hopes for the future?” Patti Marxsen on the post-earthquake Haitian novel, over at The Critical Flame.
“The company has forged a chain uncommon in mainstream publishing: an unbroken line of black women, from the novel’s protagonist, via the author, to the editor, to the art director who created the cover art (featuring a black woman).” Meet the trio of Black women at Kensington Publishing who are changing (modernizing) the traditional lily white romance genre.
Jeff Vandermeer writes for the Los Angeles Times about autobiographical influence in fantasy and sci-fi and argues that “there’s little or no difference in process or results compared to “normal” fiction, except that sometimes you end up with a dragon in your story and sometimes you don’t.” Pair with Alex Trivilino‘s account of “binge-reading” Vandermeer’s Southern Reach trilogy.
This week, UC Davis students protesting a tuition increase (among other things) were mercilessly pepper sprayed by their own campus police. In response, Nathan Brown, a non-tenured associate professor of English, has spoken out and called for UC Davis chancellor Linda Katehi‘s resignation. In solidarity with Brown’s demand, students silently gathered around Katehi’s office as she exited. For those hoping for further illumination on the entire fiasco, I recommend this list of “Ten Things You Should Know About Friday’s UC Davis Police Violence.” Elsewhere within the UC system, former U.S. Poet Laureate Robert Hass details his harrowing experience at the UC Berkeley protests.
“To read something before it is accessible to all is both a privilege and an unfair advantage.” Je Banach’s notes on keeping the secrets of the books she writes about (e.g., Haruki Murakami’s Colorless Tsukuru Tazaki and His Years of Pilgrimage) are thoughtful, poignant, and tantalizingly spoiler-free.