It might sound weird, but Jon Methven McSweeney’s really wishes you would tell him how he did with your egg whites and avocado wrap.
Can’t get enough Murakami? In the lead-up to the announcement of this year’s Nobel Prize for literature, Dan over at “How to Japonese” will post a short, new Murakami translation each week. The translations come from an unpublished (in English) collection of Murakami’s answers to his readers’ questions. This week, Murakami tackles safe sex.
“Writing isn’t entirely mental. You’re a physical being, and sometimes when your writing is broken, it’s your body that needs attention, not your mind.” Rebecca Makkai has some tips for breaking writer’s block and a very cool perspective on writing as a whole person. Pair with our interview with Makkai about her latest novel, The Hundred-Year House.
New this week: Tupelo Hassman’s debut Girlchild, a pair of novels — Angel and A Game of Hide and Seek — by Elizabeth Taylor (not the actress) from NYRB Classics featuring introductions by Hilary Mantel and Caleb Crain, Self-Portrait of an Other, prose poems by Cees Nooteboom, and Useless Landscape, or A Guide for Boys, a new poetry collection from D.A. Powell.
New this week: Awl co-founder Choire Sicha’s debut Very Recent History; Elizabeth Cohen’s new story collection The Hypothetical Girl; Elect H. Mouse State Judge by Nelly Reifler; The Virgins by Pamela Erens (which Erens herself wrote about for us on Friday); The Rathbones by Janice Clark; and Necessary Errors by Caleb Crain. For more on these and other upcoming titles, check out our Great 2013 Second-half Book Preview.
Teddy Roosevelt could read an entire book before breakfast. Kim Peek (Rain Man) could read two pages of text simultaneously. Perhaps by using some combination of both techniques, you’ve managed to make your way through our entire Great 2013 Book Preview. Or perhaps you’re just looking for some poetry and science fiction recommendations. Well, either way Mark Sanderson and China Miéville have you covered, respectively.
Among the recommendations and rules listed in the CIA’s official style guide: favor the active voice; keep sentences and paragraphs short; boats should not be referred to with gendered pronouns; and the “w” in “Vietnam war” should be lower case because war wasn’t officially declared.