The New Yorker has launched an online-only series dedicated to the novella, featuring longer works of fiction the magazine isn’t able to fit into print. “The novella is not, usually, an expanded story. Rather, it is a contracted novel, in which the omissions cover much ground. It is more ambitious than a story, denser and more gemlike than a novel.” Callan Wink’s In Hindsight launches the series, with an interview with the author.
“But upon learning that the unmarried 60-something Ms. Welty was a fan, the 50-something Macdonald — Ken Millar, to use his real name, as he does in these letters — dashed off a note of thanks. A reply followed within a week.” On a new book of letters between Eudora Welty and Ross MacDonald. You could also read Jonathan Clarke on the letters of Willa Cather.
Sure, the various TV recaps, screencaps, and Paris Review fan fiction will be a help, but let’s be honest, how long will those last? You could get through all of it today, in a binge. What you need, my friend, is a good book to sate that Mad Men craving you’ll be having now that it’s off the air again. Well, here’s a list of 10 great ones. That should do it. Oh, yes.
The Times is reporting that a new film and companion book (Salinger by David Shields and Shane Salerno) “include detailed assertions that Mr. Salinger instructed his estate to publish at least five additional books — some of them entirely new, some extending past work — in a sequence that he intended to begin as early as 2015.” One of the books is said to include a retooled version of Salinger’s unpublished (but available at the Princeton library) story “The Last and Best of the Peter Pans.” Kristopher Jansma (The Unchangeable Spots of Leopards) wrote about the story for us in 2011. Bonus Link: Garth Risk Hallberg on Salinger’s legacy.
In his new book, Pill City, journalist Kevin Deutsch set out to tell the real story of how, following the 2015 Baltimore riots, Charm City’s streets became flush with heroin and pills. But now local writers are raising serious questions about the veracity of Deutsch’s account. Among others, The Wire creator David Simon has called the book “a wholesale fabrication.” Last week, Newsday announced they were “reviewing Deutsch’s work over the four years he worked here,” and the New York Times, where Deutsch has contributed, followed suit.
“This inconvenient working-class revolution we are now witnessing has been accused of stupidity—I cursed it myself the day it happened—but the longer you look at it, you realize that in another sense it has the touch of genius, for it intuited the weaknesses of its enemies and effectively exploited them. The middle-class left so delights in being right! And so much of the disenfranchised working class has chosen to be fragrantly, shamelessly wrong.” Year in Reading alumna Zadie Smith shares her thoughts on Brexit.