The New Yorker has launched an online-only series dedicated to the novella, featuring longer works of fiction the magazine isn’t able to fit into print. “The novella is not, usually, an expanded story. Rather, it is a contracted novel, in which the omissions cover much ground. It is more ambitious than a story, denser and more gemlike than a novel.” Callan Wink’s In Hindsight launches the series, with an interview with the author.
A New Tradition
Hate: Is It In You?
Meghan Daum's written the longest and best article on "Haterade" you'll read this month. I guarantee it.
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Life and Fate and Life and Fate
Stephen Dodson wasn't the only one inspired to write about Vasily Grossman's Life and Fate this month. Over at The New Republic, Adam Kirsch calls Grossman's masterpiece one of the world's "very greatest Holocaust novels."
A Slow Death
Gawker.com will end operations next week – and this time it’s for good. Over at the New Yorker, Jia Solentino writes about what made Gawker singular in the online world. “A lively, difficult brand of unevenness was inherent in Gawker’s work, and this still seems to confound people: Why, if it took its work seriously, would it run 'some of both the best and worst of 21st century journalism,'” as Salon put it, and all under the same name?”
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Do You Eat Pork?
And now, a little bit about a world you might be totally unfamiliar with; this piece from The Rumpus is a fascinating, in-depth look at identity politics and eating pork in the Chinese borderlands. Bonus: a complementary piece about what it’s like to be a Chinese-American writer living in china.
The Vollmann Wears Prada
Just in time for the publication of Kissing the Mask, it's...Wilhelmina T. Vollmann! If this were a TLC album, it would be called Scarysexyapposite. (via)
Favorite Debuts
Tin House assembles a panel to name its favorite debut novels and collections of the year. Swamplandia! and We the Animals get tapped, but some lesser known titles also make the cut.
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