The New Yorker has launched an online-only series dedicated to the novella, featuring longer works of fiction the magazine isn’t able to fit into print. “The novella is not, usually, an expanded story. Rather, it is a contracted novel, in which the omissions cover much ground. It is more ambitious than a story, denser and more gemlike than a novel.” Callan Wink’s In Hindsight launches the series, with an interview with the author.
A New Tradition
Believing in the Bookternet
Recommended Viewing: Year in Reading alumna Rachel Fershleiser's TED talk "Why I heart the Bookternet" on building reading communities through the internet. "The more tools that we get for communication and collaboration, the more we're taking reading and writing — these really solitary pursuits — and building communities around them for connection and conversation."
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New James Ellroy Story
Legendary crime writer James Ellroy has a new story out for sale in ebookstores: "Shakedown".
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Maureen Corrigan on Lacuna
NPR's Maureen Corrigan applauds Barbara Kingsolver's Lacuna for "single-handedly keeping consumer zest alive for the literary novel," as "the only literary novel caught in the cross hairs" of the price wars waged by Wal-mart, Amazon, and Target against booksellers (the others being genre novels). As for the book itself: "I wish I could say she also deserves kudos for writing a spectacular work of fiction..."
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Ultra-Unreal Reality
Does modern China need its own literary sub-genre? On trying to understand China's "ultra-unreal" reality: "If Magic Realism was the way in which Latin American authors presented their view of their reality, then Ultra-Unreal Realism should be our name for the literature through which the Chinese regard their reality. The Chinese word 'chaohuan' (ultra-unreal) is something of a play on the word 'mohuan' (magic), as in 'mohuan xianshizhuyi' (magic realism)— 'mohuan' is 'magical unreal,' and 'chaohuan' is 'surpassing the unreal.'”
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