The New Yorker has launched an online-only series dedicated to the novella, featuring longer works of fiction the magazine isn’t able to fit into print. “The novella is not, usually, an expanded story. Rather, it is a contracted novel, in which the omissions cover much ground. It is more ambitious than a story, denser and more gemlike than a novel.” Callan Wink’s In Hindsight launches the series, with an interview with the author.
A New Tradition
Monkeys and Donkeys
Yann Martel’s anticipated follow-up to Life of Pi, Beatrice and Virgil, now has a cover. Yes, that’s a monkey riding a donkey.
●
●
Your Lowest Depths of Misery?
“In 1865, Karl Marx confessed that he considered his chief characteristic ‘singleness of purpose,’ and that his favorite occupation was ‘bookworming.’ Five years later, Oscar Wilde wrote in an album called ‘Mental Photographs, an Album for Confessions of Tastes, Habits, and Convictions’ that his distinguishing feature was ‘inordinate self-esteem.'” Over at The New Yorker, take a look at how Marcel Proust’s questionnaires inspired a generation of question-by-by-question introspection.
●
●
Glamorama – Brooklyn Book Festival Edition
NYC-area readers are invited to an event this Friday centered on the topic of marketing literature in the age of Gawker. At 7 p.m. I’ll be moderating a panel discussion that includes novelists Fiona Maazel and Tao Lin, literary agent Erin Hosier, and Christopher Kolouris of the website Scallywag & Vagabond. The event, which doubles as a launch party for Canteen magazine’s “Hot Authors” issue, also features two bands, a DJ, and an open bar. More info at 3rd Ward.
The 69 Rules of Punctuation
Infographic of the Week: Electric Lit presents the 69 Rules of Punctuation in one color-coded, aesthetically-pleasing chart.
Still Fresh
There’s a new trailer out for the book Worn Stories, a collection of pieces about clothing and memory edited by Emily Spivack. The contributor list includes, among others, Heidi Julavits, John Hodgman, Greta Gerwig and Marina Abramović. (h/t The Rumpus)
●
●
Waffle House Accuracy
If your characters go on a road trip, do you have to take one, too? When Mary Miller wrote The Last Days of California about a family driving from Alabama to California to meet the rapture, she hadn’t even been to the desert herself. To ensure it was accurate, though, she mapped important destinations on the route. “For Western Louisiana, I thought, ‘Is there actually a Waffle House within forty miles of this border?’ because I wanted it to be accurate. So I had maps, and I was tracking mileage,” she told Down & Out.
●
●