What do you get if you combine Man Ray with some of the most celebrated artistic figures of 1920’s Paris such as Ernest Hemingway, Lee Miller, and Marcel Duchamp? The answer is: some predictably fantastic portraits. For more on Man Ray, here’s a moving essay on how his Hollywood Album redefined Liska Jacobs’ idea of a “life’s work.”
"All I know was that in Paris I felt haunted, like a double exposure photograph that shows a figure and then a milky specter behind. I felt stalked by a creature of my own making, a monster that was both my mother and myself." Darcey Steinke writes about Paris, loss, and monsters in an essay for Granta.
Catcher in the Rye author J.D. Salinger has died at 91. Update: The New Yorker has linked to twelve of Salinger's stories available to subscribers online.
The Economist gives a succinct explanation of "why books come out in hardback before paperback," but their answer feels almost too simple. For a fuller understanding of the paperback / hardback question, pair The Economist's article with Nichole Bernier's Millions piece on "The Point of the Paperback."