E. V. De Cleyre explores the right moment to end a nonfiction story. She writes that life rarely offers conclusions, and “dealing with actual occurrences often means there is no definitive end, and even if there were (such as a death), there comes the aftermath—the grief, the coping, the rebuilding.” Pair with Sonya Chung’s Millions essay on literary endings.
“Why do we lust for lists?” Sandra M. Gilbert may not have an answer, but she does have a response to all those “100 Best American Novels” lists (and a list of her own). The Millions has a few lists too, of course – be sure to check out Janet Potter‘s “28 Books You Should Read If You Want To.”
If consecutive profiles in The New York Times and The New York Review of Books are any indication, the reopening of Moscow’s Bolshoi Theatre is a very big deal. To celebrate from the comfort of your chair, however, you can listen to the overture from Pyotr Ilyich Tchaikovsky‘s opera The Voyevoda, which opened in the Bolshoi in 1869.
Recommended reading: on dictionary-related panics from The New Yorker. Pair with our own Bill Morris‘s Millions essay “Prescriptivists vs. Descriptivists: The Fifth Edition of The American Heritage Dictionary.”
“After scanning across this listing while doing cursory research for something else, I instantly became obsessed with the idea of the zebra skin in the library. What, exactly, did it look like? How was it stored amongst his papers? Why had he owned it? What was it doing in the special collections of an academic library?” On looking through the archives of William Gaddis.