Last week, I told you about Rebecca Solnit’s essay “Eighty Books No Woman Should Read,” which is a tongue-in-cheek riff on Esquire’s “80 Books Every Man Must Read” list. Now, here’s a fascinating rebuttal from Electric Literature in which Sigal Samuel ponders what might be gained by reading sexist old white guys.
“These stories feature hookups and breakups, substance abuse, and violence so casual it’s as natural as jagged breathing.” Electric Literature has an interview between flash fiction author Len Kuntz and critic and writer David Galef, whose Brevity: A Flash Fiction Handbook was just published by Columbia University Press. The two discuss the state of short fiction, their favorite one-line stories of the year, and how, even in the briefest of narratives, readers should still “feel a connection to the story and characters.” For more ultra-lean tales, see our own Emily St. John Mandel‘s review of Hint Fiction, an anthology of 25-words-and-under short stories.
Greg Mortenson, whose legal and ethical battles we’ve mentioned before, has agreed to repay $1,000,000 of the funds he allegedly embezzled from the Central Asia Institute.
Not long after James Lasdun released his new book, Give Me Everything You Have, Jessica Freeman-Slade reviewed it for The Millions. Now, in the latest issue of the LRB, Nick Richardson offers his own take. (You could also check out our own Mark O’Connell’s interview with Lasdun.)
Our friend “Tom” finds that music soothes the savage vampire.Joseph O’Neill explores the “wholesome… misanthropy” of Flannery O’Connor.The Nation offers up a depressing assessment of the book business: “It is a confused, confusing and very fluid situation, and no one can predict how books and readers will survive.””Why Donald Duck Is the Jerry Lewis of Germany“NPR talks to the author of the just published biography, Gabriel Garcia Marquez: A Life.Daniel Green launches new online journal Critical Distance.”Will Philadelphia be the place where the American newspaper dies?” (via)The Complete Review considers Bolaño’s Amulet.
Poet turned playwright Sarah Ruhl’s latest stage production, Dear Elizabeth, is based on the correspondence between Elizabeth Bishop and Robert Lowell. She recently spoke to Ruth Graham about her inspiration, and whether other writers’ letters could be adapted for the stage as well. (As an aside: you really should read The Clean House if you haven’t already.)