Last week, JK Rowling announced that, midway through writing the Harry Potter series, she nearly killed off Ron Weasley “out of spite.” Ron isn’t the first supporting character to narrowly avoid death in an author’s rough draft. The Awl illustrates some of literature’s other close calls with death.
We recently ran a piece called “Where We Write,” in which our staff writers posted photographs of their work spaces. Apartment Therapy has taken it a step further and revealed where some famous and not-so-well-known writers slept. Turns out a bedroom, like a work space, speaks volumes about a writer. But one question remains: What the hell is Patti Smith doing on William S. Burroughs’s bed?
LA Weekly writes up the Los Angeles indie bookstore scene, of which I was once a part. Book Soup, my former place of employment, gets a nice and quite accurate writeup. I’ve never shared my stories on the blog, but, for example, the stuff about Faye Dunaway and Elton John is true. Tyson, the star of the article, was one of our more colorful newsstand employees when I was working there. The article’s take on Book Soup owner Glenn, meanwhile, is hilarious and right on the nose. As a bonus, the LA Weekly’s package includes a little bookstore tour of Los Angeles that serves as a nice counterpoint to the one that Garth created for NYC recently.Speaking of LA, obsessive film fans and those who love them should note that Amazon is having a big sale on Criterion Collection DVDs right now.Looking for a new place to live? The house in which Jack Kerouac was born is now for rent.TEV goes out on a “limn” with Michiko Kakutani.
“excited to get over you by being obsessed with somebody who doesn’t want me.” Poetic Twitter accounts are all the rage. Over at The New Yorker, Haley Mlotek takes an in-depth look at one account in particular that is toeing the line between dark humor and debilitating sadness, @SoSadToday.
The Barcelona Review has the text of the eponymous story from Alan Heathcock’s Volt for your reading pleasure. You might remember Heathcock’s work from last Decemeber, when Michael Schaub picked the “dark, beautiful short story collection” in his Year in Reading installment, and then gave it a glowing review for NPR.