Thomas Pynchon defined what he termed “vintage Barthelmismo” as “fictions thoughtfully concocted and comfortably beyond the reach of time.” This moving tribute to Donald Barthelme by Padgett Powell from the forthcoming anthology, A Manner of Being: Writers on Their Mentors, is right in line with Pynchon’s sentiment. Here’s another Barthelme mention from The Millions that you may be interested in.
“I slumped into an empty corner opposite Say Goodbye, Cattullus and wept into my knees for a half hour.” Catherine Lacey writes for The Paris Review‘s “Revisited” series, “in which writers look back on a work of art they first encountered long ago.” Pair with our own Bill Morris‘s consideration of artists whose works channel writers.
“Only the moon can judge Indiana. It’s a state that mostly gets ignored, and occasionally ridiculed, by the rest of the country, but no matter. Anyone is welcome to come here and see a reflection of themselves in the unlikeliest places, no matter what any law says.” Adam Fleming Petty on “Writing from the Nowhere State.”
Millions reader Lisa found Booker winner Line of Beauty to be “a more intellectualized, less satirical version of Stephen Fry’s The Liar.” I’m sure Lisa won’t mind if you borrow that line at the next cocktail party.The new Gabriel Garcia Marquez book (Memories of My Melancholy Whores, they’re calling it now) continues to generate headlines. This time Gabo foils the pirates. Go Gabo!At Amazon you can watch Jon Stewart make an ISBN joke whilst hawking his book America. Just click on the link and then check out the “Amazon.com Exclusives.”Spotted on the El: Truman Capote’s “unfinished novel” Answered Prayers.
New this week: All That Is by James Salter, Life After Life by Kate Atkinson, Woke Up Lonely by Fiona Maazel, The Flamethrowers by Rachel Kushner, The Mermaid of Brooklyn by Amy Shearn, The Odds Against Tomorrow by Nathaniel Rich, and Our Man in Iraq by Robert Perisic.