Leslie Pietrzyk wonders why readers are so eager to assume that a fictional story happened in real life. She asks, “Why is that always the question fiction writers are asked? Why do readers insist on knowing if the story that held them enthralled was ‘real’?”
The 2016 election will never truly end, at least not in the literary world. Buzzfeed noted that “a series of recent campaign books have enjoyed monster debuts, demonstrating a voracious reader appetite for behind-the-scenes looks at one of the most surprising elections in history”. And before you think this trend will end any time soon, Buzzfeed lists some up and coming titles that will be published later this year or sometime next year. “The success of campaign books come during a tough period for the publishing world, where industry sources have described the difficulty of getting authors on television or attracting media attention in a frenzied environment focused on Trump.” We’re all about the publishing industry doing well but this seems like a slightly unhealthy obsession for both readers and publishers.
Out this week: Modern Lovers by Emma Straub; Some Possible Solutions by Helen Phillips; The Gallery of Lost Species by Nina Berkhout; Robert Parris Moses by Laura Visser-Maessen; Hot Little Hands by Abigail Ulman; and The View from the Cheap Seats: Selected Nonfiction by Neil Gaiman. For more on these and other new titles, go read our Great 2016 Book Preview.
“Can we ever pinpoint a person’s true identity? … How can we point to something in the world with complete accuracy, without also being meaninglessly redundant? Harpo’s answer to ‘who are you?’ is a visual-gag version of the Buddha’s infuriatingly honest answer to the same question. When asked who he was, he would say, gesturing to himself: I am thathagatha (the one who is like this).” On Groucho Marx, nihilism, and the destruction of comedy over at Slate.