Sarah Blake has completed her twelve-part illustrated epic poem, The Starship, at Berfrois. Pair with our essay on why Americans read poetry but won’t buy poetry books.
The Starship Lands
Re-launched Poetry Archive
The Poetry Archive re-launched a week ago, which is great news for anyone who wants to browse through recordings of poets reading their work.
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On Funny Bones, Etc.
Year in Reading alum Elizabeth McCracken has a new story collection out this week, and to mark the occasion, she spoke with Kelly Luce over at Salon about her writing, her Twitter obsession and — strangely enough — cannibalism (at least in the context of fairy tales). She also talks about the importance of humor, lamenting that “some young writers mistake humorlessness for seriousness.” (Related: Tanya Paperny wrote a eulogy for the translator Michael Henry Heim.)
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Talking Covers Talks Covers
Fans of our U.S. and U.K. book cover comparison should head on over to Imprint Magazine for an interview with Talking Covers founder Sean Manning.
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You May Call Me Bobby, Or You May Call Me Zimmy
In more “Dylan at 70” news, the knowledgeable Ed Ward reviews the compilation How Many Roads: Black America Sings Bob Dylan for The Oxford American. (Editor’s Note: The omission from this album of Nina Simone‘s “Just Like Tom Thumb’s Blues” and Ben E. King‘s “Lay Lady Lay” are both unconscionable.)
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Get a Room
From one great publication to another: The Atlantic gushes over the “phenomenal” New York Review of Books.
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Fun Home Coda
“If you can get some brilliant artists to make a musical about your childhood, I highly recommend it. It’s very cathartic.” Recent MacArthur fellow Alison Bechdel‘s hugely successful graphic memoir, Fun Home, has been adapted into a Broadway musical, and now she’s written a coda to the book that looks at what the musical has meant to her and what it could have meant to her parents. Pair with our interview with Bechdel here.
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