“In one of his last columns, published in March 1966, Flann O’Brien looked back on his catechism, compiled more than twenty years earlier, and described it as ‘an exegetic survey of the English language in its extremity of logo-daedalate poliomyelitis, anaemic prostration and the paralysis of incoherence.’ One month after writing that, he was dead, and yet within a year a remarkable renaissance was taking place, with the long-delayed publication of his great comic fantasy The Third Policeman and, soon afterwards, the first of many anthologies of the ‘Cruiskeen Lawn’ columns, this one entitled The Best of Myles.” (Related: our own Mark O’Connell on the humor in O’Brien’s work.)
“Maybe everything is an organized mess at high speed”: in one of the more deeply buried leads in history, Brad Listi announces The Nervous Breakdown‘s new publishing imprint. And yes, I could just send you to the official press release, but I loved this piece.
This past week GOOD laid off most of their editorial staff, including former Executive Editor and creator of the #realtalk From Your Editor tumblog Ann Friedman. Posting some extra #realtalk on her blog yesterday, Friedman announced that the band of former GOOD editors are looking for work and also launching their own magazine: Tomorrow.
Ahead of its mid August movie debut Kevin Kwan talks about the real life inspiration behind his Crazy Rich Asian trilogy. “But the people who know me, who have read the books, and who are also in that world in Singapore, Hong Kong, and other parts of Asia, don’t get it.” Refinery29 has more.
You might think the signs would be obvious. The buildings are organic, the sky is filled with dragons, and everyone you talk to speaks languages you’ve never heard of. But you may still need some help figuring out your environs. Herewith, a few ways to tell if you’re in a high-fantasy novel.
Peek inside a part of the DIY publishing world: zines. “Before the Internet democratized media, self-publishing was one of few ways for ordinary people to record and share with a wider audience. Zines on old taboos like sexual orientation could provide a staticky connection to a community of others with nonstandard identities in an age before chat rooms and message boards and — perhaps most importantly — simple ways to anonymize yourself.”