German-born footballer Bastian Schweinsteiger might just be living inside the D.H. Lawrence story, “The Captain’s Doll”. Schweinsteiger (who, it is helpful to mention, is the captain of his team) is suing a Chinese toy manufacturer for producing a doll that bears too striking a resemblance to the Manchester United midfielder. Oh, and did we mention that the “figurine” is also wearing a Nazi medal?
The Captain’s Doll
Meet Carey Mulligan
An Education opens this weekend in theaters. Newcomer Carey Mulligan stars and her performance has generated a lot of buzz at Sundance and Cannes. Also starring Alfred Molina, Olivia Williams, Emma Thompson, and Peter Sarsgaard.
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Thursday Story: Chris Womersley
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And “Crude”
Over at The Atlantic Wire, Jen Doll catalogues the many words first coined by Geoffrey Chaucer, which includes such everyday staples as "dotard," "fattish," "caterwaul" and "twitter."
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Fish N a Barrel
The Vault chooses the "20 Worst Hip-Hop Album Covers". Sorry, South Coast Shorty.
The Oyster Review
The e-book subscription service Oyster has recently launched The Oyster Review, and we have reason to be excited: the first issue names our own Emily St. James Mandel's Last Night in Montreal "The Book of the Week" and features a look at the novel written by former Millions intern Rachel Hurn.
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True Story
Over at Granta, Melissa Febos writes about truth. As she puts it, "The true telling of our stories often requires the annihilation of other stories, the ones we build and carry through our lives because it is easier to preserve some mysteries."
Philip Graham in Conversation
At The Morning News, a wide-ranging conversation with the writer Philip Graham, most recently the author of The Moon, Come to Earth: Dispatches from Lisbon. Included is his account of getting a story into the New Yorker off the slush pile, and a footnote touting The Millions and other online literary venues as places to find great book recommendations.
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Realia
“After scanning across this listing while doing cursory research for something else, I instantly became obsessed with the idea of the zebra skin in the library. What, exactly, did it look like? How was it stored amongst his papers? Why had he owned it? What was it doing in the special collections of an academic library?” On looking through the archives of William Gaddis.