A Cambridge professor has identified the earliest use of the ellipsis in English literature. Find out more at The Guardian. Sam Anderson reminds us that ellipses are good in moderation through an examination of Dan Brown’s Inferno.
A basketball player gets kicked in the testicles and hundreds of news outets have to figure out how the heck to write about it: “Different outlets have different comfort levels when writing about the crotch. The New York Times, for example, threw idiomatic English out the door on first reference: ‘Exhibit A was that [Draymond] Green picked up a flagrant-1 foul — while hacked in the act of shooting — with 5 minutes 57 seconds left in the half by flailing a leg between those of Steven Adams, who wound up doubled over.'”
Amidst increasing calls to “memorialize slavery’s ties with Glasgow in a more sensitive way,” Scottish poet Kate Tough recently published a tribute poem, “People Made Glasgow.” Tough calls on the city to install a permanent slavery exhibit, a memorial garden, or new street names as well.
“The good detective story writer (there must after all be a few) competes not only with all the unburied dead but with all the hosts of the living as well. And on almost equal terms; for it is one of the qualities of this kind of writing that the thing that makes people read it never goes out of style.” Raymond Chandler’s 1950 essay, “The Simple Art of Murder” is a real gem.
New this week: And the Mountains Echoed by Khaled Hosseini; The Redeemer, a new Harry Hole novel from Jo Nesbø (see our interview); and Abigail Tarttelin’s debut novel Golden Boy. Also out: The Fall of Arthur, J.R.R. Tolkien’s epic poem, and George Packer’s The Unwinding.
Recommended Listening: Ben Lerner stops by The New Yorker’s fiction podcast to discuss “Woven, Sir,” a story by John Berger.