“Steinem welcomed them all—the rich, the celebrities, the climbers for the cause. She was a radical but, consciously, never an outsider. She enjoyed the world where she plied her trade as an entrepreneur of social change, and, with her mouth spray at hand, she had long since mastered the subterfuges of talking truth to power. You could call it consciousness-raising—on a wider canvas.” The New Yorker profiles Gloria Steinem in anticipation of her latest release, My Life on the Road.
Pulitzer winner Tony Horwitz describes – in incredibly depressing fashion – his experience publishing Boom, a digital short representing his first foray into “the brave new world” of digital publishing. Two takeaways for aspiring writers that are not explicitly mentioned, however: don’t write without a contract, and be sure to use an agent from the get-go.
"A continuation of a book that has proved very popular seldom is successful, and we cannot say that we think Alice's adventures by any means equal to her previous ones." The Guardian digs up its original review of Lewis Carroll's Through the Looking Glass.
Pankaj Mishra caught up with Orhan Pamuk in the midst of Turkey’s Gezi Park turmoil, and though the Nobel laureate was at first “reluctant to speak of the protests,” he occasionally let down his guard. In those instances, writes Mishra, Pamuk “revealed a shrewd political mind and a confidence about the new social consciousness the demonstrators represent.”