Steve Jobs, a new movie written by Aaron Sorkin, directed by Danny Boyle, and based on Walter Issacson’s biopic, will be released in theaters on October 23rd. Watch the official trailer and read a review at The Awl. Pair with our essay on Jobs’s legacy and Apple’s private beach.
“As I got older, the Nigerian scam artist turned into a meme. The ‘Nigerian prince’ became a joke tossed around by white people with the same ease that ‘Italian mobster’ jokes were likely tossed around in the ‘70s—but aided now by the internet. Whenever I came across casual references to my people as scam artists, I’d wince. There was more to us than the scam. Hell—there was even more to the scam.” On how novelist Teju Cole helped Ijeoma Oluo make peace with the Nigerian scam artist.
Having kids changes everything, of course, but for the writer, used to working in quiet solitude, it can feel like the end. Jessica Francis Kane writes about how she learned to write again, in a new way, after having children and offers some tips for new parents who write.
Following the launch of a new £10,000 “innovative” literary prize by Goldsmiths College and the New Statesman, Chad Post takes a look at the current state of American literary awards. His opinion? “America is The Worst for trying to equate popularity with quality.”
Out this week: The Twelve Lives of Samuel Hawley by Hannah Tinti; Compass by Mathias Enard; The Women in the Castle by Jessica Shattuck; Simulacra by Airea D. Matthews; and the Later Essays of Susan Sontag. For more on these and other new titles, go read our most recent book preview.