Is Kenneth Goldsmith continuing to lead the charge in a revolutionary poetry movement? Has he overstepped his bounds? Is conceptual poetry dead? Alec Wilkinson for The New Yorker and Cathy Park Hong for The New Republic offer their opinions.
Dominic Umile takes a look at the Daytripper, a comic by Brazilian brothers Fábio Moon and Gabriel Bá. The comic, which was selected recently for les Fauves d’Angoulême – the largest comics festival in Europe – concerns the “volley of riches and failure from the desk of an obituary writer.” As Umile notes, the art of obituary writing experienced quite a popularity surge in 2012. Times public editor Margaret Sullivan wrote about the regularity with which obituaries appeared on A1 in the paper, and the column even warranted the creation of its own dedicated Twitter account.
“Why, for instance, did I dream I had surged up through the lawn of Toronto’s Victoria College and clomped into the library, decomposing and covered with mud? The librarian didn’t notice a thing, which, in the dream, I found surprising. Was this an anxiety dream? If so, which anxiety?” Margaret Atwood’s dream diary.
To get a full sense of the legacy of William Blake, you need to see his paintings alongside his famous poems. The Wordsworth contemporary did much of his best work — including the covers of his own collections — with a brush. At the New York Review of Books blog, Jenny Uglow pays a visit to a new exhibition at Oxford.