Elena Ferrante’s introduction to the Folio edition of Sense and Sensibility is available at The Guardian. She describes the experience of reading Jane Austen as a girl. “At the time, I was enthralled by the great male adventure novels, with their stories that ranged all over the world, and I wanted to write such books myself: I couldn’t resign myself to the idea that women’s novels were domestic tales of love and marriage. I was past 20 when I returned to Austen. And from that moment not only did I love everything she had written but I was passionate about her anonymity.”
“You’re asking if the Race Memoir, the Gender Memoir, or the Sexuality Memoir will survive market trends. I don’t know, but if I put your question in context with Imani Perry’s idea then yes, it will endure. Will it always be ‘trending’? No, but it will endure.” Just one of many great lines from Kima Jones who, along with Terese Marie Mailhot, Meredith Talusan, Ijeoma Oluo, and Kathryn Belden, discusses the current upswing in books on gender and race for Buzzfeed.
Sometimes, when you read a lot of work by a single writer, you end up writing unconscious imitations of their work. The reliability of this effect raises an ourobouric possibility: what if you reviewed a writer’s fiction in their own style? At The Awl, Sarah Marian Seltzer reviews Henry James as Henry James. You could also read Charles-Adam Foster-Simard on binge-reading James’s fiction.