Here are a couple Halloween-related essays from the good people at The Literary Hub: This fascinating literary history of witches by Jess Bergman, and this piece by Tobias Carroll on non-fiction writers crossing the supernatural line between fantasy and reality.
Scaring Men
RIP Jim Harrison
Jim Harrison, outdoorsman and author of Legends of the Fall, has passed away at 78. Harrison was a prolific writer whose lust for life was evident in the scores of essay and poetry collections he published during the course of his career. Our own Bill Morris has some thoughts on why Harrison never managed to garner the audience that a writer of his caliber deserved.
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How The Room Was Made
Readers of Millions Originals ebook Epic Fail are deeply familiar with Tommy Wiseau’s heroically bad 2003 film, The Room. So, too, are people masochistic enough to sit through the actual movie. Together, they might be wondering how such a production came to be – and how it came to fail so horribly. Well, finally a new book co-authored by Greg Sestaro and Tom Bissell seeks to answer that question. You can check out an excerpt over here.
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Flying Mice
Seemingly from the realm of science fiction comes a recent announcement from NASA’s Jet Propulsion Laboratory: Scientists there have succeeded in levitating mice.
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The Book Report, Episode 1
Our own Janet Potter has teamed with Michael Shaub to launch The Book Report, an online weekly literary talk show. The first episode, which focuses on David Pearce‘s Red or Dead, is now available on YouTube. Pair their video with Mark Lane‘s Millions review of Pearce’s novel.
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Literature in Emojis
Slate has translated famous first lines of literature into emojis, and they’re surprisingly coherent. Pair with Jonathan Russell Clark‘s essay on opening sentences.
A Double-Shot of Deborah Eisenberg
MacArthur Genius™ Deborah Eisenberg, whom we’ve often celebrated here, publishes her 1,000-page Collected Stories this month – we ardently commend it to your attention. If you’ve read ’em all already, get your Eisenberg fix at the NYRB, where she reviews Dezsõ Kosztolányi‘s “quiet, shattering, perfect” novel Skylark.
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