In December 1982, Gabriel García Márquez accepted the Nobel Prize for Literature. If you haven’t read or heard his acceptance speech, you can now at Brain Pickings. We have a few pieces about the iconic author to pair with it.
Susannah Hunnewell interviews Michel Houellebecq, France’s controversial literary icon, for The Paris Review’s “The Art of Fiction” series: “There is a need for intensity. From time to time, you have to forsake harmony. You even have to forsake truth. You have to, when you need to, energetically embrace excessive things.”
At the Ploughshares blog, Erinrose Mager interviews Year in Reading alum Rick Moody, who talks about his classes at NYU and why he prefers “the mentorship model” of teaching writing over the workshop model. (Related: our founder C. Max Magee reviewed Moody’s book The Diviners back in 2006).
For those of you who ask, like Jacob Lambert, whether picture books are leading our children astray, the Independent posts ten of the bloodiest bedtime stories.
We might not get to choose between Peeta and Gale, but we can have Katniss Everdeen’s archery skills. Since The Hunger Games became popular, young girls are picking up bows and arrows more than ever before. Membership at USA Archery has doubled in the past two years, and people are buying recurve bows faster than they can make them. Perhaps they’d also enjoy the Hunger Games day camp we wrote about earlier.
“Literature is the record we have of the conversation between those of us now alive on earth and everyone who’s come before and will come after, the cumulative repository of humanity’s knowledge, wonder, curiosity, passion, rage, grief and delight. It’s as useless as a spun-sugar snowflake and as practical as a Swiss Army knife.” Dana Stevens and Adam Kirsch discuss whether literature should be considered useful.
“The plot, obviously, is kind of difficult to explain, like an earnest, pared-down, hipster Foucault’s Pendulum. Not only are all of the plot turns above laid out through a multiframed narrative, replete with several people’s footnotes, but the events are interwoven with disquisitions on the history of map-making, Situationist philosophy, urban planning, and pop music.” At Slate, our own Lydia Kiesling reads Catie Disabato’s The Ghost Network. (ICYMI, Dan Lopez reviewed the book for The Millions.)