Recommended Reading: This Atlantic article on the life of Henning Mankell, author of the Kurt Wallander series. The author said, “When I write, I always try to reflect the reality we live in, a reality that is becoming rougher and more violent. This violence and its impact on people around it is what I try to reflect in Wallander. But reality always surpasses the poem.”
The New York Times' David Orr "rediscovers" the poetry of The Solitudes author Luis de Góngora. Góngora, Orr explains, is "one of the most significant figures in Spanish early modern literature."
"You write to please yourself. You write for the joy of writing. ... The enthusiasm, the joy itself draws me. So that means every day of my life I’ve written. When the joy stops, I’ll stop writing." Recommended viewing: an animated interview with Ray Bradbury.
We've already decided that it's okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. "I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked," Cheryl Strayed said.
Our own Edan Lepucki (who has a novel coming out soon, by the way…) interviewed four of the finalists for this year’s National Book Awards: Tenth of December author George Saunders, The Lowland author Jhumpa Lahiri, The Good Lord Bird author James McBride, and The Flamethrowers author Rachel Kushner. We reviewed both Saunders and Kushner’s works here and here, respectively, and you can also take a look at the rest of the NBA finalists over here.
"Every story that works gets the level of description that it needs. Which isn’t to say that the level of description needed for every successful story is the same." Tobias Carroll surveys the wide variety of detail density in fiction for Electric Literature.