Recommended Reading: This Atlantic article on the life of Henning Mankell, author of the Kurt Wallander series. The author said, “When I write, I always try to reflect the reality we live in, a reality that is becoming rougher and more violent. This violence and its impact on people around it is what I try to reflect in Wallander. But reality always surpasses the poem.”
From icy Philadelphia, some links to start the day:The latest round at the LBC is over, but we’ve posted our nominees for the next round. Read the books now so you can discuss them with us in a month or so. I was a nominator this round and my pick is The Cottagers by Marshall N. Klimasewiski.An Ask Metafilter thread on books by women for men who don’t like books by women. Lots of good recommendations… Might do a separate “booklist” post here at some point compiling all those suggestions.Dan Wickett’s Dzanc Books has two more titles on the way, one by Yannick Murphy who wrote LBC nominee Here They Come and one by Wickett fave Peter Markus (who he mentioned in his 2006 best of here at The Millions.)Combining Garfield and reference books seems like a bad idea. Note: A groundbreaking work in that it is the “1st dictionary with attitude” (via)
In case you missed it, this past weekend The New York Review of Books likely outed the author who’s been writing under the nom de plume of Elena Ferrante. Condemnation was fast and furious, including pieces by n+1 and this fantastic Twitter thread by critic Lili Loofbourow. We join the chorus of voices who would rather direct the attention back to Ferrante’s work. Might we suggest starting with this piece about The Neapolitan Quartet‘s subversive power?
“Putin, like Hitler, understood that the purpose of spectacles is to dazzle the eye while clouding the mind.” For the Daily Beast, staff writer Bill Morris writes about the thuggish dictators who love the propaganda of the World Cup. (If you haven’t already checked out our list of seven great soccer reads, do it now!)
Rafael Alcides Perez, one of Cuba’s most renowned poets and public intellectuals, has resigned from the Association of Cuban Writers and Artists because of “government restrictions he is being subjected to,” reports the Havana Times. You can read some of his work (in Spanish) over here, here, and here.
Word is there have been sightings of the book I co-edited The Late American Novel: Writers on the Future of Books in the wild, though it’s officially due in March. You can keep up on all the news about the book, including events and links to excerpts on the book’s new Facebook page.
“In re-organizing the priorities of book publishing—by inventing new models rather than trying to repeat past success, by valuing ingenuity over magnitude, by thinking of sales as a way to make great books possible rather than the point—indie presses aren’t just becoming the places where the best books are published; they’re already there.” Over at The Atlantic, Nathan Scott McNamara writes on why American publishing needs indie presses. For more of his writing, check out his essay on Denis Johnson for The Millions.