Recommended Reading: On Walter Benjamin and Ludwig Wittgenstein. “They have many things in common, but where they connect most strikingly is in their shared suspicion of theory and their emphasis on the visual.”
Ultra-niche magazines operate a bit differently than their larger and more mainstream cousins. Magazines like Donkey Talk, which caters exclusively to donkey hobbyists, aim for tiny audiences of a few hundred to a few thousand readers. They also cultivate their own jargon — one magazine, The Mountain Astrologer, tosses the word “quincunx” around as casually as “email.”
Recommended viewing: Tobias Wolff tried to convince Stephen Colbert that The Catcher in the Rye is J.D. Salinger’s best book. “Do we need to be reinforcing our kids’ bad behavior as teenagers with the idea they could be a character in a great novel? Dad, I wasn’t disobeying you, I was exploring modes of alienation,” Colbert joked.
A lot has already been said about Nicolas Winding Refn’s newest and arguably most provocative film, Neon Demon. At The Rumpus, Jeffery Edalatpour examines beauty and its extremes, and also asks a couple questions of the director, himself: “Refn has revised the mythology of Aphrodite; she dons as much armor as Athena, enjoying nothing but the hunt. When I asked the director if he could cite any visual influences, his flat affect implied disdain for my simplistic question: ‘I just photograph what I find interesting. I believe that women are more powerful and more interesting than men. It’s just very much what I like to fantasize about.’ Fair enough.”
In 2012, the Portuguese writer José Luís Peixoto, on the occasion of Kim Il-Sung’s 100th birthday, went to North Korea for a fifteen-day trip. The experience led him to write a travel memoir, Inside the Secret, which you can read in serialized form online at Ninth Letter magazine. You could also read Pulitzer laureate Adam Johnson’s new Granta essay about the country.