This review of Paul Murray’s newest novel, The Mark and the Void, praises Murray for his biting, weapons-grade one-liners and calls it “the funniest book ever written about the international banking system.” Here’s a link to our own, particularly hilarious interview with Murray.
Haven’t checked out the cartoon Adventure Time? You’re missing out, says Maria Bustillos. The Awl and New Yorker contributor explains why you need to check out this show in an essay-cum-one-off-website. If it helps, The New Yorker’s Emily Nussbaum feels the same way. (h/t The Paris Review)
Up until 1999, Italian college students were required to write longform theses, which explains why Umberto Eco felt the need to write a guide to completing one. Eco being Eco, however, the guide went on to become a classic with many applications. At Page-Turner, Hua Hsu explains why the author’s writing manual is also a guide to life. You could also read Hillary Kelly on Eco’s Confessions of a Young Novelist.
In a recent article on Irène Némirovsky’s daughter Élisabeth Gille, Ruth Franklin picks up where our own Emily St. John Mandel left off.
Go Jane Give organized the “#Read4Refugees” social media campaign, encouraging users to raise awareness and funds for refugee issues. Over the past month, numerous well-known authors have joined in, including Junot Díaz, Jodi Picoult, Sue Monk Kidd, and Sherman Alexie, among others.
Now that the summer blockbusters are winding now, we can all focus on book-to-film adaptations. Kirkus Reviews has a list of new books that would make for great movies, some of which, like Christopher Beha's Arts & Entertainments, The Millions has reviewed. Pair with our dream casting of a film version of The Goldfinch.
"[A]ny discussion of craft does not take place in a vacuum – that race is part of one's lived experience and how we see ourselves and are seen does impact how and what we write." Poet Neil Aiken puts together an absolutely indispensable list of texts – books, essays, lectures and beyond – on the craft of writing by writers of color. See also: our own Edan Lepucki's impromptu syllabus of craft readings.