Noah Charney writes for The Atlantic in defense of book tours, which “mostly entail maneuvering to get on radio shows or TV programs, and less glamorous elements, like attending bookstore readings where hardly anyone shows up.”
“The rest of her speech to the U.N. that day is an exact outline for what she wanted the rest of the Parable books to be about — a way out that she did not live to write herself.” For Electric Literature, Kristopher Jansma explores the unwritten Parable books of acclaimed sci-fi author Octavia Butler. Pair with our consideration of Butler’s novel Kindred.
We thoroughly enjoyed the latest episode of David Naimon‘s Between the Covers podcast featuring Whiting-Award winner Tyehimba Jess. The conversation centers on Jess’s latest book, Olio, a tour de force hybrid-genre exploration of African-American performers from the period just before the American Civil War through World War I. (Previously: We recommended Jess’s Leadbelly as perfect reading for train travel.)
Blasphemy Alert: They’re giving the film version of August: Osage County a “less downbeat” ending. Curse you, Harvey Weinstein! Is nothing sacred? Can a woman not lament the disintegration of her life, family, and mental stability while the final lines to T.S. Eliot’s “The Hollow Men” are read by her housekeeper? Has America gone soft?