Simon DeDeo writes for AGNI about the first line of Paradise Lost, John Milton’s first disobedience. As he explains it, “The line is a syllable too much. In Milton’s blank verse epic—iambic pentameter, five sets of two-syllable feet—the opening has eleven syllables, not ten.”
Of Man’s First Disobedience
“Every generation rewrites the book’s epitaph; all that changes is the whodunit.”
Proclaiming the death of the book has been in vogue nearly as long as the book itself. Leah Price presents a short history of our pessimism for the future of the written word.
●
●
The Art of the Sentence
"If the history of the American sentence were a John Ford movie, its second act would conclude with the young Ernest [Hemingway] walking into a saloon, finding an etiolated Henry James slumped at the bar in a haze of indecision, and shooting him dead." Adam Haslett takes on Stanley Fish, Strunk & White, and the art of writing a sentence.
●
●
I Feel Expository
If we are, as Adam Kirsch writes, in the midst of a golden age of essays, we might want to ask exactly which essays are proof of this golden age. His first three picks -- My Heart is an Idiot, I Was Told There’d Be Cake and Pulphead -- are unsurprising choices, but then it gets a bit more interesting when he looks at Sheila Heti’s latest novel. (You could also check out a few of our pieces on these books.)
●
●
Unlocking the Doors
How does Karl Ove Knausgaard delve into some of the oldest parts of his memory for his writing? "I remember every single room that I have been in from the age of seven. What I did was to place myself in those rooms, and when I started to write about them it was like unlocking a thousand small doors, all leading further into childhood," he told Cressida Leyshon at The New Yorker. Knausgaard also has a story, "Come Together" (behind the paywall), in the current issue. Pair with: Our essay on My Struggle.
●
●
“She’s such a Hermione”
You probably knew a Lothario was a character before his name grew into a generic euphemism for "Guy You Don't Want Your Daughter Dating," but what about "brainiac," "mentor," and "pamphlet"? It turns out character names have been making their way into everyday vocabulary for thousands of years.
●
●
Street Cred
Recommended Reading: Jody Rosen on Ashley and JaQuavis Coleman.
●
●
The Right Kind of Ambivalence
In the latest entry in By Heart, which I’ve written about before, Thirty Girls author Susan Minot explains why she prefers to read multiple books at once instead of reading through single books from start to finish. Her reasoning? Books are “worlds to dip in and out of, and my relationship to them is continually deepening and evolving.”
●
●