Simon DeDeo writes for AGNI about the first line of Paradise Lost, John Milton’s first disobedience. As he explains it, “The line is a syllable too much. In Milton’s blank verse epic—iambic pentameter, five sets of two-syllable feet—the opening has eleven syllables, not ten.”
Of Man’s First Disobedience
Why Criticism Matters
“We live in the age of opinion — offered instantly, effusively and in increasingly strident tones. Much of it goes by the name of criticism, and in the most superficial sense this is accurate.” The New York Times approached six accomplished critics, Stephen Burns, Katie Roiphe, Pankaj Mishra, Adam Kirsch, Sam Anderson, and Elif Batuman to explain, in the spirit of Alfred Kazin, “what it is they do, why they do it and why it matters.”
A Rear Window Darkly
It’s been a good year for Alfred Hitchcock, what with Vertigo beating out Citizen Kane in the once-a-decade Greatest Movie of All Time poll conducted by Sight and Sound. At Full-Stop, Rachel Baron Singer takes a look at Hitchcock and The Girl, both of which examine “the dark side” of Hitchcock’s genius.
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Tomas Tranströmer and Robert Bly
Robert Bly and Tomas Tranströmer discuss their lives and craft in a series of letters.
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“Let the past collapse at the right time”
In the latest issue of the New York Review of Books, Ice Trilogy author Vladimir Sorokin looks at the current events related to Ukraine, Russia, and Crimea, and notes that “the Russian state’s ‘vertical power’ structure” (which is to say “monarchical structure”) is what keeps the Russian people held “hostage to the psychosomatic quirks of its leader.”
“but for now it’s dust in our teeth”
Recommended Reading: “Appalachian Farewell” by Mark Wagenaar.
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Mad Men Make Love
With the season five premiere of Mad Men fast approaching, now’s as good a time as any to catch up on the intimate commingling of its main characters. Fortunately, the folks at Wired have organized the whole thing into a neat “Illustrated Guide to Mad Men Bed-Hopping.”
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Masculine? Feminine?
An arrestingly androgyne Marc Jacobs is the subject of a startling new portrait by make-up guru and photographer, François Nars–the photo offers a taste of Nars’ forthcoming book 15×15.
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