Infographic of the Week: Are you ready for Halloween? Check out this infographic of literary monsters from Morphsuits at Electric Literature. Pair with our essays on reading House of Leaves on Halloween and long hallways in horror films to get in the spirit.
Monster Mash
Neomysterativity
The term “academic writing” is controversial, not least because it implies that academics have an odd and persnickety way of writing. In a blog post for The New Yorker, Joshua Rothman examines the genre, looking back on his time in grad school to argue that academic writing is a “fraught and mysterious thing.”
Even the Editors Get Rejected
Perhaps someone should compile a Salon des Refusés of Poetry Magazine‘s rejected poets.
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Life on Mars
“One of the advantages to being a novelist is removing oneself from the chatter of the fray and trying to get a read and a historical context on what’s happening in one’s own time.” The Guardian interviews Rachel Kushner about women’s prisons, remorse, and her new novel, The Mars Room. Pair with: our review calls Kushner’s latest a “brutal, unforgiving, and often grimly funny tour de force of wasted lives.”
Help Her, Miss Manners
In the pages of the Washington Post, the venerable Miss Manners responds to an English department secretary who feels “besieged by fringe ‘academics’ who are very adamant that we are part of a conspiracy to cover up the fact that Edward de Vere, Earl of Oxford, was Shakespeare.”
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Kafka Who?
When you think “Franz Kafka,” it typically isn’t his sunny disposition that comes to mind. According to Reiner Stach, this new collection of ephemera, however, seeks to challenge the tired, old conception of Kafka-as-tortured neurotic. Here’s a Millions review of Stach’s twin biographies of Kafka, himself.
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The Word of God
William Tyndale, one of the leading figures in the Protestant reform, was executed in 1536 for his translation of the Bible into English. Over at Asymptote Journal, Josh Billings considers the meaning of Tyndale’s death. As he explains it, “It happened in an era when translation was taken extremely seriously, not just because it allowed ordinary people to read the Bible in their own languages, but because it implied those languages were as capable of containing God’s Word as Latin, Greek or Hebrew.”
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Michiko Kakutani on Jonathan Franzen’s “Freedom”
At The New York Times, Michiko Kakutani gets in an early review of Jonathan Franzen’s Freedom, heralding it “his most deeply felt novel yet.”