Infographic of the Week: Are you ready for Halloween? Check out this infographic of literary monsters from Morphsuits at Electric Literature. Pair with our essays on reading House of Leaves on Halloween and long hallways in horror films to get in the spirit.
Monster Mash
A Poor Man’s Jaron Lanier?
I recently sat down for a long and wide-ranging interview with The Faster Times. Topics covered include technology, Taco Bell, technology, Richard Yates, technology, Friday Night Lights, and…er…Internet self-promotion.
Writer’s Best Friend
“Not long ago The New York Times featured a story about a Brazilian motel for dogs—to promote amorous canine liasons—that also sold nonalcoholic dog beer, had a Japanese ofuro soaking tub, and lots of branded dog apparel.” The current state of man’s best friend.
The Very Picture of Guilt
If the prospect of dealing with Frankenstorm is harshing your mellow this Halloween, you might want to look at The Paris Review Daily’s illustrated Telltale Heart.
Graduating from Hogwarts
J.K. Rowling will be releasing her first novel for adults on Little, Brown and Co. Details are set to come out later this year.
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“Blake was all bullshit except for the bomb.”
Millions contributor Nick Ripatrazone – who’s recently written for us about college football and the art of the novella – has new fiction up at storySouth.
Supermachine Calls It Quits
R.I.P. Supermachine. After a terrific run, its last issue will be released on November 16th. If you’re in the Brooklyn area, there are a couple of final events you should attend. As editor Ben Fama writes, “come throw down with us one last time.”
It’s Hard to be a Protagonist
“‘I just want to be normal,’ she said, even though she had amazing powers and a super-family and was mega-gorgeous and better than normal in every way and the entire book would be terrible if she were normal and she had no conception of what normal was to begin with.” At The Toast, Mallory Ortberg lists flaws only a protagonist could have.
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Stories in Verse
In 2010, the poet Tarfia Faizullah traveled to Bangladesh to speak with the survivors of the 1971 Liberation War. Eventually, she wrote a poetry collection about those interviews, which went on to win the Crab Orchard Series First Book Award. At The Paris Review Daily, Sean Carman interviews Faizullah.
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