“Ghosts are just the fucked-up dead.” This interview with David Mitchell on the release of his spooky new novel Slade House is a perfect Halloween read. We interviewed Mitchell this same time last year in conjunction with the publication of The Bone Clocks.
Working with composer Michel van der Aa, David Mitchell has written an “occult opera” entitled “Sunken Garden.” Meanwhile, the former head of buying at Waterstone’s has shared the Cloud Atlas author’s list of his favorite Japanese books. (h/t Sarah Emily Duff)
“She told the students not to explain too much, that they could throw in expressions in Igbo or Yoruba or pidgin and trust the reader to get it. She told them that even if a story was autobiographical it should be shaped—that, for instance, although in life you could have ten close friends, in fiction you could not, because it was too confusing. She told them to avoid inflated language—’never purchase when you can buy.'” A delightful (and somewhat rare) long profile of Chimamanda Ngozi Adichie in the New Yorker.
Those following this weekend’s events in Tripoli will no doubt be interested in Banipal‘s issue dedicated to Libyan fiction. And, as Moammar Gaddafi‘s reign appears to be ending, the Guardian‘s evisceration of his short stories is worth a read. On NPR‘s site, Hisham Matar also explains the influence of Gaddafi’s rule on Libyan writing.
“Directly you are in motion you will feel quite helpless, and experience a sensation of being run away with, and it will seem as if the machine were trying to throw you off.” The bicycle was little more than a confusing craze back in 1877. The London Library has just uncovered some fascinating and hilarious vintage educational pamphlets on everything from ‘The Gentlewoman’s Book of Sports’ to ‘Cycling As a Cause of Heart Disease.’