Over at Catapult, Mensah Demary shares the story of how he got to be a professional editor. As he puts it, “I was asked recently what it takes to succeed as a writer and editor. Actually, I was being asked a more specific question: how do you become a successful writer and editor? I don’t have the answers; I only have my life.” Pair with Kate Angus’s Millions essay on making a living as a poet.
The 87th annual California Book Awards, which “recognizes the state’s best writers and illuminate the wealth and diversity of literature written in California,” announced this year’s finalists. The nominees include Rachel Khong‘s Goodbye, Vitamin, Viet Thanh Nguyen‘s The Refugees, and Zinzi Clemmons‘s What We Lose (here’s the full list). From our archives: The Millions’ interview with Khong.
“You are what you brought from your country? Or you are what you learned here?” The New York Times visits Librería Barco de Papel, one of New York City’s last remaining Spanish-language bookstores. The space also operates as a community and cultural center for the Jackson Heights neighborhood, where roughly half of the 67,000 residents identify as Latino. If you want to feel some more feelings about the state of independent bookstores, check out this old Millions piece about paving paradise and putting up a Chipotle.
The Guardian‘s Books Blog is hosting a tournament to determine “The Great American Novelist,” and the list of the final 32 seeded contenders, as voted by the site’s readers, is enough to raise some eyebrows—not as much for who did make the cut as for who didn’t. Guardian readers, haven’t you heard of Richard Yates?
In the nineties, when Jack Livings was teaching English in China, he was gathering material for The Dog, his short story collection that recently won the PEN/Robert W. Bingham prize. In an interview in the WSJ, he talks about his research process, Chinese idioms and Uighur-Han relations. You could also read Casey Walker’s syllabus for modern China. (h/t The Rumpus)