Over at Catapult, Mensah Demary shares the story of how he got to be a professional editor. As he puts it, “I was asked recently what it takes to succeed as a writer and editor. Actually, I was being asked a more specific question: how do you become a successful writer and editor? I don’t have the answers; I only have my life.” Pair with Kate Angus’s Millions essay on making a living as a poet.
Making It Big
John Carey on William Golding
In The New York Times, Dwight Garner reviews John Carey’s biography William Golding: The Man Who Wrote "Lord of the Flies”: “It may not be a surprise to learn that the British novelist ... did not have a happy childhood. But the details will put a sweat on your forehead.”
●
●
The Morning News Hosts Klimontovich
The Morning News continues its Reading Roulette series with Nikolai Klimontovich’s “How to Crow Your Head Off,” which “recalls 1957, when another anticipated influx of foreigners into the heart of the Soviet Union prompted ‘municipal cleansing’ measures of the human sort.”
●
●
7 reasons not to write a novel
Javier Marías cogently summarizes all the reasons to stop writing novels immediately, and adds only one reason to write them anyway: "Fiction is the most bearable of worlds." We reviewed The Infatuations, one of his own twelve works (to date), last year.
●
●
Tom Stoppard on life, work, and fly-fishing
Tom Stoppard, recently tasked with writing the screenplays for the new Anna Karenina (six minutes of which can be watched here) and Parade’s End film and television adaptations, speaks at length with Victoria Glendinning about his life and work. At 75 years old, the playwright is hardly slowing down.
●
●
The PEN World Voices Line-Up
PEN World Voices, the great annual festival of International Literature, unveils this year's lineup for the week of April 26, in New York and elsewhere. Highlights include Norman Rush, Patti Smith, László Krasznahorkai, Rodrigo Frésan, and Sherman Alexie's "Freedom to Write" lecture.
●
●
You Already Know This Because You Read
"[L]overs of more experimental books showed the ability to see things from different perspectives but it was comedy fans who scored the highest for relating to others." A new study suggests that people who read books are nicer, reports The Independent. In our recent interview with author John Vaillant he wholly agreed. "Empathy is what gives you the access," he told us. "I see the writer (fiction or nonfiction) as a kind of permeable membrane through which the thoughts, feelings, and experiences of others can pass and manifest."
●
●
Jailhouse Rock
Can't get enough of Orange is the New Black? Neither could The Missouri Review. Their new blog series, Literature on Lockdown, shares narratives from those who teach or write in prisons. This week's post comes from Ace Boggess, a poet who spent five years in a West Virginia prison. "One thing about being a writer in prison is that you have not lost everything. You still have that driving need to speak whatever truth you know in whatever way you can. No one can take that away from you, not even the State."
●
●