In honor of our own Garth Risk Hallberg’s City on Fire (which stands at a hefty nine hundred pages), Bethanne Patrick has compiled a reading list of lengthy books at Lit Hub. You could also check out our interview with Hallberg.
What do you call a genre that mixes westerns and fantasy novels? Damien Walter proposes the term “weird western.” In The Guardian, he runs down the history of the hybrid category, citing Joe Abercrombie’s Red Country and Molly Tanzer’s Vermillion as examples. Pair with Daniel Kalder on the Euro-Western.
Over the weekend, Canada’s National Post ran a book review by our own Michael Bourne, who contributed a piece on Bright Lights, Big City this week. In the review, Michael reads Thomas King’s The Back of the Turtle, which he says reaffirms the rule that bad guys are always more interesting.
“[Virginie] Despentes has become a kind of cult hero, a patron saint to invisible women: the monstrous and marginalized, the sodden, weary and wildly unemployable, the kind of woman who can scarcely be propped up let alone persuaded to lean in.” On Virginie Despentes’s Bye Bye Blondie and French feminist pulp that pulls no punches.
This summer, Emily Books will launch a new imprint with Coffee House Press, featuring books “by women and gay men and gender outsiders—or people who had transgressive, interesting, weird personalities.” Also check out this Millions essay on what we call what women write.
“Poets ought to learn how to present work as well as produce it,” says Joe Weil, who shares some invaluable Tips for Doing a Poetry Reading. (Bonus: our own Janet Potter offers a tutorial on the appropriate way to introduce an author [or poet] before their reading.)